Links: The dubious value of humanities graduate degrees, Hemlock Grove and vampires, Hunter Moore and isanyoneup.com, poetry’s playfulness, and more

* When to leave grad school off your resume. In my limited experience reading resumes, having a PhD is a minus; an M.A. is useless, and being in grad school makes me think less of its value, not more.

* “The Forgotten Student: Has Higher Education Stiffed Its Most Important Client?: How the prestige game costs students more money for a lower-quality education.” To me, this is utterly obvious.

* The novel Hemlock Grove sounds like fun: “‘Its howls all the while more plaintive and lupine as a snout emerged through its lips and worked open and shut, its old face bunched around it in an obsolete mask. It rolled onto all fours and rose shaking violently, spraying blood in a mist and divesting himself of the remnants of man coat in a hot mess.’ It takes a certain amount of chutzpah to write like this, to use an almost Faulknerian descriptive palette in service of a monster story.”

* Is the Future of English Bad Science?

* “Hunter Moore Makes a Living Screwing You;” I had never heard of isanyoneup.com before and won’t link directly, but as I read the story I kept thinking, “This is why it’s hard to write relevant contemporary fiction. . .” This, and Reddit’s user-submitted adult site, which you can find easily enough if you want to.

* A short, accurate description of the long-term problems in Europe. This is also, on some level, about how people form groups and act in those groups. (“Americans in Massachusetts and Americans in Mississippi do feel themselves part of the same country, sharing language and culture. Germans and Spaniards do not feel the same.”) See further Jonathan Haidt’s book The Righteous Mind.

* “Most men won’t be allowed to admit this, but the new HBO show [Girls] is a disastrous celebration of entitlement and helplessness.”

* Why poetry should be more playful, which seems completely obvious to me; Billy Collins is one of my favorite poets precisely because he’s so playful, so much the opposite of the poetry read in school. From the post itself: “The growing distance between serious verse and children’s verse has certainly been connected—as cause, effect, or more likely both—to the increasing irrelevance of serious poetry.”

* Why you should read Before the Lights Go Out.

Sign me up for the Anglo-American team:

From Adam Gopnik’s “Facing History: Why We Love Camus,” sadly hidden behind a paywall:

Olivier Todd, the author of the standard biography in French, suggests that Camus might have benefitted by knowing more about his anti-totalitarian Anglo-American contemporaries, Popper and Orwell among them. Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow. It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end—easy does it; tomorrow may be a bit better than today; and, after all, you have to have a little faith in people—doesn’t diminish the glamour that clings to the man who turned the question over and looked at it, elegantly, upside down

I’d never thought about the issue of meaning quite like this, but I’m definitely on the Popper-Orwell team, the one that asks about making the world “a little bit better tomorrow,” or at least finding something meaningful to do today that might lead to the better world tomorrow. The “grander French” question used to hold more attraction, when I was younger and stupider; now it just looks pointless. If there’s no reason to live, there’s also no reason to die. That’s the essential point Todd Andrews realizes in John Barth’s novel The Floating Opera, and it’s the sort of profundity that seems utterly obvious in retrospect. I’d add one other point: if life is meaningless, you can append any meaning you want, and making things little bit better tomorrow is a pretty choice (you could also say that you’re trying to conduct a marginal revolution that takes small steps toward improvement).

People who find ways to make life meaningful and find ways to be more than just a consumer are, in my view, the ones who win big these days, when we don’t just have meaning handed to us. Instead, we have to try harder to find it. I like the Anglo-American answer, as given by Gopnik’s reading of Camus, but that might just be my own latent Anglo-American culture.

Links: "Turn Me On, Dammit!", nude body scanners, MPAA problems, housing, copyright problems, academia, the war against youth and more

* Sounds like fun: “With its sex-obsessed young heroine, “Turn Me On, Dammit!” goes where few movies have gone,” and it sounds like the rare movie that actually goes where other movies haven’t. See also Slate’s coverage.

* Hot, crowded, and running out of fuel: Earth of 2050 a scary place. And we’re highly unlikely to do anything about that.

* I’ve long wondered about a book I remember reading around age 12 or 13, in which people above a certain age are capped by a mind-control device, but I’ve never been able to remember anything else about it until I read this, From The New Yorker: “John Christopher’s ‘The White Mountains,’ in which alien overlords install mind-control caps on the heads of all those over the age of thirteen, tore through my own sixth-grade classroom like a wicked strain of the flu.” That’s it.

* $1B of TSA Nude Body Scanners Made Worthless By Blog — How Anyone Can Get Anything Past The Scanners. Wow.

* Maybe we can get rid of the MPAA, which will, I suspect, be viewed one day with the same caustic eye as the Hays Code.

* “As Julie Berebitsky points out in Sex and the Office: A History of Gender, Power, and Desire, sexual relationships—consensual or not—have long been considered a threat to productivity and morale . . .” I sure hope so.

* Affordable housing and hilarious cognitive dissonance.

* The Missing 20th Century: How Copyright Protection Makes Books Vanish.

* Tyler Cowen: “I’m a blogger.”

* Roosh “can’t help but notice a lot of changes in how our beliefs are being perceived.”

* America’s schools are being crushed under decades of legislative and union mandates. They can never succeed until we cast off the bureaucracy and unleash individual inspiration and willpower.

* The War Against Youth:

Cynicism rises to fill the emptied space of exaggerated and failed hope. It’s all simple math. If you follow the money rather than the blather, it’s clear that the American system is a bipartisan fusion of economic models broken down along generational lines: unaffordable Greek-style socialism for the old, virulently purified capitalism for the young. Both political parties have agreed to this arrangement: The Boomers and older will be taken care of. Everybody younger will be on their own. The German philosopher Hermann Lotze wrote in the 1870s: “One of the most remarkable characteristics of human nature is, alongside so much selfishness in specific instances, the freedom from envy which the present displays toward the future.” It is exactly that envy toward the future that is new in our own time.

The major advantage that young people retain, however, is that they (we?) have more vibrant sex lives, which is still a pretty sweet deal.

One can also see this in academia: the gap between professors who got tenure before 1975 and people graduating in the last ten years is medieval.

* Tyler Cowen: “What Export-Oriented America Means.” See also “Tyler Cowen on America’s Export-Oriented Future.”

Links: “Turn Me On, Dammit!”, nude body scanners, MPAA problems, housing, copyright problems, academia, the war against youth and more

* Sounds like fun: “With its sex-obsessed young heroine, “Turn Me On, Dammit!” goes where few movies have gone,” and it sounds like the rare movie that actually goes where other movies haven’t. See also Slate’s coverage.

* Hot, crowded, and running out of fuel: Earth of 2050 a scary place. And we’re highly unlikely to do anything about that.

* I’ve long wondered about a book I remember reading around age 12 or 13, in which people above a certain age are capped by a mind-control device, but I’ve never been able to remember anything else about it until I read this, From The New Yorker: “John Christopher’s ‘The White Mountains,’ in which alien overlords install mind-control caps on the heads of all those over the age of thirteen, tore through my own sixth-grade classroom like a wicked strain of the flu.” That’s it.

* $1B of TSA Nude Body Scanners Made Worthless By Blog — How Anyone Can Get Anything Past The Scanners. Wow.

* Maybe we can get rid of the MPAA, which will, I suspect, be viewed one day with the same caustic eye as the Hays Code.

* “As Julie Berebitsky points out in Sex and the Office: A History of Gender, Power, and Desire, sexual relationships—consensual or not—have long been considered a threat to productivity and morale . . .” I sure hope so.

* Affordable housing and hilarious cognitive dissonance.

* The Missing 20th Century: How Copyright Protection Makes Books Vanish.

* Tyler Cowen: “I’m a blogger.”

* Roosh “can’t help but notice a lot of changes in how our beliefs are being perceived.”

* America’s schools are being crushed under decades of legislative and union mandates. They can never succeed until we cast off the bureaucracy and unleash individual inspiration and willpower.

* The War Against Youth:

Cynicism rises to fill the emptied space of exaggerated and failed hope. It’s all simple math. If you follow the money rather than the blather, it’s clear that the American system is a bipartisan fusion of economic models broken down along generational lines: unaffordable Greek-style socialism for the old, virulently purified capitalism for the young. Both political parties have agreed to this arrangement: The Boomers and older will be taken care of. Everybody younger will be on their own. The German philosopher Hermann Lotze wrote in the 1870s: “One of the most remarkable characteristics of human nature is, alongside so much selfishness in specific instances, the freedom from envy which the present displays toward the future.” It is exactly that envy toward the future that is new in our own time.

The major advantage that young people retain, however, is that they (we?) have more vibrant sex lives, which is still a pretty sweet deal.

One can also see this in academia: the gap between professors who got tenure before 1975 and people graduating in the last ten years is medieval.

* Tyler Cowen: “What Export-Oriented America Means.” See also “Tyler Cowen on America’s Export-Oriented Future.”

Are you more than a consumer? “The Once and Future Liberalism” and some answers

This is one of the most insightful thing I’ve read about an unattractive feature of American society: we put an “emphasis on consumption rather than production as the defining characteristic of the good life.” It’s from “Beyond Blue 6: The Great Divorce,” where, in Walter Russell Mead’s reading, “Americans increasingly defined themselves by what they bought rather than what they did, and this shift of emphasis proved deeply damaging over time.” I’m not convinced this has happened equally for everybody, all the time, but it rings awfully true.

Which brings us back to the point made in the title: are you producing more than you consume? Are you focused on making things, broadly imagined, instead of “consuming” them? Is there more to your identity than the music you like and the clothes you wear? (“More” might mean things you know, or know how to do, or know how to make.) Can you do something or somethings few others can? If the answers are “no,” you might be feeling the malaise Mead is describing. In Anything You Want, Derek Sivers writes:

When you want to learn how to do something yourself, most people won’t understand. They’ll assume the only reason we do anything is to get it done, and doing it yourself is not the most efficient way.

But that’s forgetting about the joy of learning and doing.

If you never learn to do anything yourself—or anything beyond extremely basic tasks everyone else knows—you’re not going to lead a very satisfying life. Almost as bad, you probably won’t know it. You’ll only have that gnawing feeling you can’t name, a feeling that’s easy—too easy—to ignore most of the time. You can’t do everything yourself, and it would be madness to try. But you should be thinking about expanding what you can do. I’ve made a conscious effort to resist being defined by what I buy rather than what I do, and that effort has intensified since I read Paul Graham’s essay “Stuff;” notice especially where he says, “Because the people whose job is to sell you stuff are really, really good at it. The average 25 year old is no match for companies that have spent years figuring out how to get you to spend money on stuff. They make the experience of buying stuff so pleasant that “shopping” becomes a leisure activity.” To me it’s primarily tedious.

But this tedious activity is everywhere, and in Spent: Sex, Evolution, and Consumer Behavior, Geoffrey Miller describes how companies and advertisers have worked to exploit evolved human systems for mating and status in order to convince you that you need stuff. Really, as he points out, you don’t: five minutes of conversation does more signaling than almost all the stuff in the world. Still, I don’t really take a moral view of shopping, in that I don’t think disliking shopping somehow makes me more virtuous than someone who does like shopping, but I do think the emphasis on consumption is a dangerous one for people’s mental health and well-being. And I wonder if these issues are also linked to larger ones.

A lot of us are suffering from an existential crisis and a search for meaning in a complex world that often appears to lack it. You can see evidence in the Western world’s high suicide rates, in Viktor Frankl’s book Man’s Search for Meaning (he says, “I do not at all see in the bestseller status of my book so much an achievement and accomplishment on my part as an expression of the misery of our time: if hundreds of thousands of people reach out for a book whose very title promises to deal with the question of a meaning to life, it must be a question that burns under the fingernails”), in Irvin Yalom’s Existential Psychotherapy (especially the chapter on despair), in Mihaly Csikszentmihalyi’s Flow: The Psychology of Optimal Experience, in All Things Shining: Reading the Western Classics to Find Meaning in a Secular Age, in The Joy of Secularism: 11 Essays for How We Live Now, in the work of Michel Houellebecq. I could keep going. The question isn’t merely about the number of responses to present conditions, but about what those present conditions are, how they came about, what they say about contemporary politics (Mead makes the political connection explicit in “The Once and Future Liberalism: We need to get beyond the dysfunctional and outdated ideas of 20th-century liberalism“), and what they say about how the individual should respond.

People respond in all kinds of ways. Despair is one. Fanaticism, whether towards sports teams or political parties or organized religion is another, with religion being especially popular. You can retreat to religious belief, but most dogmatic religious beliefs are grounded in pre-modern beliefs and rituals, and too many religions are surrounded by fools (did Heinlein say, “It’s not God I have a problem with, it’s his fan club”? Google yields many variations). Those kinds of answers don’t look very good, at least to me. You have to look harder.

I think part of the answer has to lie in temperament, attitude, and finding a way to be more than a consumer. For a very long time, people had to produce a lot of what they consumed—including their music, food, and ideas. I don’t want to lapse into foolish romanticism about the pre-modern, pre-specialized world, since such a world would be impossible to recreate and ugly if we did. People conveniently forget about starvation and warfare when they discuss the distant past. Plus, specialization has too many benefits—like the iMac I’m looking at, the chair I’m sitting in, the program I’m using to write this, the tasty takeout I can order if I want it, the tea in my kitchen, the condoms in my bedroom, or the camera on my tripod. For all its virtues, though, I’m increasingly convinced that specialization has psychic costs that few of us are really confronting, even if many of us feel them, and those costs relate to how we related to meaning and work.

According to Mead, in the 19th Century, families “didn’t just play together and watch TV together; they worked together to feed and clothe themselves.” Today, disparate activities drive specialization even within the family, and family life has become an increasingly consumption, status-oriented experience. To Mead, “If we wonder why marriage isn’t as healthy today in many cases, one reason is surely that the increasing separation of the family from the vital currents of economic and social life dramatically reduces the importance of the bond to both spouses – and to the kids.” We’ve gotten wealthier as a society, and wealth enables us to make different kinds of choices. Marriage is much more of a consumer good: we choose it, rather than being forced into it because the alternative is distressingly high resource diminishment. Charles Murray observes some effects this has on marriage in Coming Apart: The State of White America, 1960-2010, since getting and staying married has enormous positive effects on income—even if “the vital currents of economic and social life” conspire to make spouses less dependent on each other.

Kids are less economically useful and simultaneously more dependent on their parents. It also means they’re separated from the real world for a very long time. To Mead, part of this is education:

As the educational system grew more complex and elaborate (without necessarily teaching some of the kids trapped in it very much) and as natural opportunities for appropriate work diminished, more and more young people spent the first twenty plus years of their lives with little or no serious exposure to the world of work.

It starts early, this emphasis on dubious education and the elimination of “natural opportunities for appropriate work”:

Historically, young people defined themselves and gained status by contributing to the work of their family or community. Childhood and adulthood tended to blend together more than they do now. [. . .] The process of maturation – and of partner-seeking – took place in a context informed by active work and cooperation.

In the absence of any meaningful connection to the world of work and production, many young people today develop identities through consumption and leisure activities alone. You are less what you do and make than what you buy and have: what music you listen to, what clothes you wear, what games you play, where you hang out and so forth. These are stunted, disempowering identities for the most part and tend to prolong adolescence in unhelpful ways. They contribute to some very stupid decisions and self-defeating attitudes. Young people often spend a quarter century primarily as critics of a life they know very little about: as consumers they feel powerful and secure, but production frightens and confuses them.

I’m familiar with those “stunted, disempowering identities” because I had one for along time. Most teenagers don’t spend their adolescence becoming expert hackers, like Mark Zuckerberg or Bill Gates, and they don’t spend their time becoming experts musicians, like innumerable musicians. They spend their adolescences alienated.

I’m quoting so many long passages from Mead because they’re essential, not incidental, to understanding what’s going on. The result of an “absence of any meaningful connection to the world of work and production” is Lord of the Flies meets teen drama TV and movies. Paul Graham gets this; in one of my favorite passages from “Why Nerds Are Unpopular,” he writes:

Teenage kids used to have a more active role in society. In pre-industrial times, they were all apprentices of one sort or another, whether in shops or on farms or even on warships. They weren’t left to create their own societies. They were junior members of adult societies.

Teenagers seem to have respected adults more then, because the adults were the visible experts in the skills they were trying to learn. Now most kids have little idea what their parents do in their distant offices, and see no connection (indeed, there is precious little) between schoolwork and the work they’ll do as adults.

And if teenagers respected adults more, adults also had more use for teenagers. After a couple years’ training, an apprentice could be a real help. Even the newest apprentice could be made to carry messages or sweep the workshop.

Now adults have no immediate use for teenagers. They would be in the way in an office. So they drop them off at school on their way to work, much as they might drop the dog off at a kennel if they were going away for the weekend.

What happened? We’re up against a hard one here. The cause of this problem is the same as the cause of so many present ills: specialization. As jobs become more specialized, we have to train longer for them. Kids in pre-industrial times started working at about 14 at the latest; kids on farms, where most people lived, began far earlier. Now kids who go to college don’t start working full-time till 21 or 22. With some degrees, like MDs and PhDs, you may not finish your training till 30.

But “school” is so often bad that 30% of teenagers drop out—against their own economic self-interest. Only about a third of people in their twenties have graduated from college. What gives? Part of it must be information asymmetry: teenagers don’t realize how important school is. But the other part of the problem is what Graham describes: how dull school seems, and how disconnected it is from what most people eventually do. And that disconnection is real.

So, instead of finding connections to skills and making things, teenagers pick up status cues from music and other forms of professionally-produced entertainment. Last year, I was on a train from Boston to New York and sat near a pair of 15-year-olds. We talked a bit, and one almost immediately asked me what kind of music I liked. The question struck me because it had been so long since I’d been asked it so early in a conversation with a stranger. In high school and early college, I was asked it all the time: high school-aged people sort themselves into tribes and evaluate others based on music. In college, the first question is, “What’s your major?”, and in the real world it’s, “What do you do?” The way people ask those early questions reveals a lot about the assumptions underlying the person doing the asking.

Now: I like music as much as the next guy, but after high school I stopped using it to sort people. Why should high school students identify themselves primarily based on music, as opposed to some other metric? It’s probably because they have nothing better to signal who they are than music. It would make sense to discuss music if you are a musician or a genuine music aficionado, but I wasn’t one and most of the people I knew weren’t either. Yet the “What’s your favorite music?” question always arose. Now, among adults, it’s more often “What do you do?”, which seems to me an improvement, especially given its proximity to the questions, “What can you do?” and “What do you know?”

But that’s not a very important question for most high school students. They aren’t doing anything hard enough that errors matter. And in some ways, mistakes don’t matter much in most modern walks of life: they don’t cause people to die, or to really live, or do things differently. So finding a niche where mistakes do matter—as they do when you run your own business, or in certain parts of the military, or in some parts of medicine, or as an individual artist accountable to fans—can lead to a fuller, more intensely lived life. But that requires getting off the standard path. Few of us have the energy to bother. Instead, we feel underutilized, with the best parts of ourselves rusting from disuse–or perhaps gone altogether, because we never tried to develop the best parts of ourselves. That might explain, almost as much as my desire to tell stories, why I spend so much time writing fiction that, as of this writing, has mostly been fodder for agents and friends, and why I persist in the face of indifference.

Individuals have to learn to want something more than idle consumption. They have to want to become artists, or hackers, or to change the world, or to make things, all of which are facets of the same central application of human creativity (to me, the art / science divide is bullshit for similar reasons). For much of the 20th Century, we haven’t found “something” in work:

Since work itself was so unrewarding for so many, satisfaction came from getting paid and being able to enjoy your free time in the car or the boat that you bought with your pay. It was a better deal than most people have gotten through history, but the loss of autonomy and engagement in work was a cost, and over time it took a greater and greater toll.

A friend once told me about why he left a high-paying government engineering job for the hazards and debts of law school: at his engineering job, everyone aspired to a boat or a bigger TV. Conversations revolved around what people had bought or were planning to buy. No one thought about ideas, or anything beyond consumption. So he quit to find a place where people did. I mean, who cares that you buy a boat? Maybe it makes getting laid marginally easier, at least for guys, but that time, money, and energy would probably be better spent going out and meeting people, rather than acquiring material objects.

I’ve seen people who have virtually no money be extraordinarily happy and extraordinarily successful with the sex of their choice, and people in the exact opposite condition. The people with no money and lots of sex tend to get that way because of their personalities and their ability to be vibrant (again: see Miller’s book Spent). Even if you’re bad at being vibrant, you can learn to be better: The Game is, at bottom, about how to be vibrant for straight men, and the many women’s magazines (like Cosmo) are, at bottom, about how to be vibrant for women. Neither, unfortunately, really teaches one to be tolerant of other people’s faults, which might be the most important thing in the game of sex, but perhaps that comes through in other venues.

I don’t wish to deify Mead or his argument; when he says, “There was none of the healthy interaction with nature that a farmer has,” I think he’s missing how exhausting farming was, how close farmers were to starvation for much of agricultural history, and how nasty nature is when you’re not protected from it by modern amenities (we only started to admire nature in the late eighteenth century, when it stopped being so dangerous to city dwellers.) It’s easy to romanticize farming when we don’t have to do it. Likewise, Mead says:

A consumption-centered society is ultimately a hollow society. It makes people rich in stuff but poor in soul. In its worst aspects, consumer society is a society of bored couch potatoes seeking artificial stimulus and excitement.

But I have no idea what he means by “poor in soul.” Are Mark Zuckerberg or Bill Gates “poor in soul?” Is Stephen King? Tucker Max? I would guess not, even though all four are “rich in stuff.” We’ve also been “A consumption-centered society” for much of the 20th century, if not earlier, and, all other things being equal, I’d rather have the right stuff than no stuff, even if the mindless acquisition of stuff is a growing hazard. The solution might be the mindful acquisition of stuff, but even that is hard and takes a certain amount of discipline, especially given how good advertisers are at selling. I would also include “politicians” as being among advertisers these days.

Contemporary politics are (mostly) inane, for the structural reasons Bryan Caplan describes in The Myth of the Rational Voter. So I’m predisposed to like explanations along these lines:

Nobody has a real answer for the restructuring of manufacturing and the loss of jobs to automation and outsourcing. As long as we are stuck with the current structures, nobody can provide the growing levels of medical and educational services we want without bankrupting the country. Neither “liberals” nor “conservatives” can end the generation-long stagnation in the wage level of ordinary American families. Neither can stop the accelerating erosion of the fiscal strength of our governments at all levels without disastrous reductions in the benefits and services on which many Americans depend.

Most people on the right and the left have “answers” about contemporary problems that miss large aspects of those problems or the inherent trade-offs involved. A lot of the debate that does occur is dumb, sometimes militantly and sometimes inadvertently, but dumb nonetheless. As Mead says: “We must come to terms with the fact that the debate we have been having over these issues for past several decades has been unproductive. We’re not in a “tastes great” versus “less filling” situation; we need an entirely new brew.” Yet we’re getting variations on old brews, in which liberals look like conservatives in their defense of 1930s-era policies, and conservatives look like conservatives in their veneration of 19th century-style free-market policies. Only a few commentators, like Tyler Cowen in The Great Stagnation, even try earnestly to identify real problems and discuss those problems in non-partisan terms.

This post started as a pair of links, but it ended in an essay because Mead’s essays are so important in the way they get at an essential aspect of contemporary life. If you’re a writer, you can’t afford to ignore what’s happening on the ground, unless you want to be, at best, irrelevant, and I wonder if one reason nonfiction may be outpacing fiction in the race for importance involves the way nonfiction sidesteps questions of meaning by focusing on real things with real effects, instead of how people can’t or won’t find meaning in a world where most of us succeed, at least on a material level, by following a conventional path.

Naturally, I also think about this in the context of fiction. A while ago, I wrote this to a friend: “Too much fiction is just about dumb people with dumb problems doing dumb things that the application of some minor amount of logic would solve. Bored with life because you’re a vaguely artistic hipster? Get a real job, or learn some science, or be a real artist, or do something meaningful. The world is full of unmet needs and probably always will be. But so many characters wander around protected by their own little bubbles. Get out! The world is a big place.” Mead, I think, would agree.

It’s hard to disentangle the individual, education, acquisition, ideas, society, and politics. I’ve somewhat conflated them in my analysis, above, because one inevitable leads to the other, since talking about how you as a person should respond inevitably leads one to questions about how you were educated, and education as a mass-process inevitably leads one to society, and so forth. But I, as an individual, can’t really change the larger systems in which I’m embedded, though I can do a limited amount to observe how those systems work and how I respond to them (which often entails writing like this and linking to other writers).

Links: Theory of mind and the novel, libraries, Patagonia, books versus natural resources, bisexual women in narrative, Seattle, and more

* Theory of Mind and The Importance of the Novel.

* Privatized libraries are working surprisingly well so far.

* Patagonia makes gear for demanding climbers and itinerant surfers. How’d it catch on with the rest of us? Short answer: people like me. Longer answer: see article.

* “Dear Science Fiction Writers: Stop Being So Pessimistic!: Neal Stephenson created the Hieroglyph Project to convince sci-fi writers to stop worrying and learn to love the future.”

* Pass the Books. Hold the Oil.

* Why Bisexual Women are TV’s Hot New Thing. (Maybe.)

* Apparently, you can’t be really French and Jewish.

* The Secret to Seattle’s Booming Downtown. See also Edward Glaeser’s The Triumph of the City.

* Let’s hope the MPAA ratings board dies; sample: “[. . .] while the MPAA board pretends to be a source of neutral and non-ideological advice to parents, it all too often reveals itself to be a velvet-glove censorship agency, seemingly devoted to reactionary and defensive cultural standards.”

Jonathan Haidt’s The Righteous Mind and what we’re really arguing about

There’s a fascinating moment in The Righteous Mind where Jonathan Haidt makes a point similar to one I wrote about earlier:

If you think that moral reasoning is something we do to figure out the truth, you’ll be constantly frustrated by how foolish, biased, and illogical people become when they disagree with you. But if you think about moral reasoning as a skill we humans evolved to further our social agendas—to justify our own actions and to defend the teams we belong to—then things will make a lot more sense. Keep your eye on the intuitions, and don’t take people’s moral arguments at face value. They’re mostly post hoc constructions made up on the fly, crafted to advance one or more strategic objectives.

Compare this to my December 2010 post “What people want and what they are: religious edition:”

. . . as Julian Sanchez puts it, “a lot of our current politics has less to do with actual policy disagreements than with resolving status anxieties.” I think his overall post is right, but I suspect that people pick their preferred policies (beyond patriotism, which is his example) to signal what they’re really like or want people to believe they’re really like.

Take my favorite example, gun control: the pro-gun types want other to think of them as capable, fierce, tough, and independent. And who isn’t in favor of those things? The anti-gun types want others to think of them as community-oriented, valuing health and welfare, and caring. And who isn’t in favor of those things?

You could extend this to other fields too (tax cuts, health care, whatever the issue du jour is), and they don’t always map to a neat left/right axis. Anyone can have an opinion that signals values on complex political topics in a way they can’t about, say, theoretical physics, mostly because complex political topics often don’t have correct answers. So they can be easily used to signal values that are often divorced from whatever real conditions on the ground look like. Almost no one uses their opinions on vector calculus to signify what they most believe.

Haidt doesn’t use the word “signal,” but his idea of using moral claims to “justify our own actions and to defend the teams we belong to” is pretty close. This also describes why, over the past ten years, I’ve become a person much less invested in political, moral, or (many kinds of) intellectual arguments: most of those arguments aren’t really about their content, but about something else, below the surface, that doesn’t always bob up to the surface. Here’s Paul Graham on that idea in “What You Can’t Say:”

Most struggles, whatever they’re really about, will be cast as struggles between competing ideas. The English Reformation was at bottom a struggle for wealth and power, but it ended up being cast as a struggle to preserve the souls of Englishmen from the corrupting influence of Rome. It’s easier to get people to fight for an idea. And whichever side wins, their ideas will also be considered to have triumphed, as if God wanted to signal his agreement by selecting that side as the victor.

Most people seem to equate “winning” an argument in a lawyerly fashion with being intellectually right. This might be why lawyers have some of the reputation they do: they get paid primarily to construct arguments that may be specious, but that have to be convincing.

I also like to think that realizing how moral arguments really work makes me a better teacher: rather than fighting with students who bring up moral arguments, I try to ask them where their arguments come from and how they come to believe what they believe. In other words, I try to work at a higher level of abstraction—which is what Haidt is doing in The Righteous Mind.

One other point about Haidt: if you’re frustrated by “how foolish, biased, and illogical people become when they disagree with you,” imagine how you must act to them.

Cars and generational shift

In The Atlantic, Jordan Weissmann asks: Why Don’t Young Americans Buy Cars?. He’s responding to a New York Times article about how people my age don’t want or like cars. The NYT portrays the issue as one of marketing (“Mr. Martin is the executive vice president of MTV Scratch, a unit of the giant media company Viacom that consults with brands about connecting with consumers.” Ugh.) But I don’t think marketing is really issue: the real problem is that we’ve reached the point where cars suck as a mode of transportation for the marginal person.

Until the 1990s, car culture made sense, to some degree: space was available, exurbs weren’t so damn far from cities, and traffic in many cities wasn’t as bad as it is today. By now, we’ve seen the end-game of car culture, and its logical terminus is Southern California, where traffic is a perpetual nightmare. Going virtually anywhere can take 45 minutes or more, everyone has to have a car because everyone else has a car, and cars are pretty much the only transportation game in town. Urban height limits and other zoning rules prevent the development of really dense developments that might encourage busses or rail. In Southern California, you’re pretty much stuck with lousy car commutes—unless you move somewhere you don’t have to put up with them. And you’re stuck with the eternal, aggravating traffic. Given that setup, it shouldn’t surprise us that a lot of people want to get away from cars (I’ve seen some of this dynamic in my own family—more on that later).

The hatred of traffic and car commuting isn’t unique to me. In The New Yorker, Nick Paumgarten’s There and Back Again: The soul of the commuter reports all manner of ills that result from commuting (and, perhaps, from time spent alone in cars more generally):

Commuting makes people unhappy, or so many studies have shown. Recently, the Nobel laureate Daniel Kahneman and the economist Alan Krueger asked nine hundred working women in Texas to rate their daily activities, according to how much they enjoyed them. Commuting came in last. (Sex came in first.) The source of the unhappiness is not so much the commute itself as what it deprives you of. When you are commuting by car, you are not hanging out with the kids, sleeping with your spouse (or anyone else), playing soccer, watching soccer, coaching soccer, arguing about politics, praying in a church, or drinking in a bar. In short, you are not spending time with other people. The two hours or more of leisure time granted by the introduction, in the early twentieth century, of the eight-hour workday are now passed in solitude. You have cup holders for company.

“I was shocked to find how robust a predictor of social isolation commuting is,” Robert Putnam, a Harvard political scientist, told me. (Putnam wrote the best-seller “Bowling Alone,” about the disintegration of American civic life.) “There’s a simple rule of thumb: Every ten minutes of commuting results in ten per cent fewer social connections. Commuting is connected to social isolation, which causes unhappiness.”

I doubt most people my age are consciously thinking about how commuting makes people unhappy, or how miserable and unpredictable traffic is. But they probably have noticed that commuting sucks—which is part of the reason rents are so high in places where you can live without a car (New York, Boston, Seattle, Portland). Those are places a lot of people my age want to live—in part because you don’t have to drive everywhere. Services like Zipcar do a good job filling in the gap between bus/rail and cars, and much less expensively than single-car ownership. In my own family, it’s mostly my Dad who is obsessed with cars and driving; he’s a baby boomer, so to him, cars represent freedom, the open road, and possibility. To me, they represent smog, traffic, and tedium. To me, there are just too damn many of them in too small a space, and that problem is only going to get worse, not better, over time.

(For more on cities, density, and ideas, see Triumph of the City, The Gated City, and Where Good Ideas Come From.)

TV had to learn everything novelists already knew: an example from The Sopranos

From Vanity Fair’s brilliant Oral History of The Sopranos:

ALLEN COULTER (director): Sopranos gave the lie to the notions that you had to explain everything, that you always had to have a star in the lead, that everybody had to be ultimately likable, that there had to be so-called closure, that there was a psychological lesson to be learned, that there was a moral at the center that you should carry away from the show, that people should be pretty, that people should be svelte. The networks had essentially thrown in the towel on good drama. It’s like changing the direction of an ocean liner. But Sopranos did it. They changed the game.

It’s strange to read this, because it feels to me like novelists have always known this, or have at least known it since the 1920s. I think of writers like Henry Miller or James M. Cain, who were experts at unlikable characters and showing the only “psychological lesson to be learned” is that there is no psychological lesson to be learned.

Later, I think of someone like George V. Higgins, who specialized in unpretty, ungainly characters. But I wonder if TV took so long to learn these lessons because a) it was a mass medium that required appealing to everyone and b) because up until recently, there were only a handful of real outlets that could afford to produce real shows. So there wasn’t the same kind of experimentation that novelists could conduct, since a novelist needed nothing but time and paper (or, today, time and a computer) and a publisher.

Today, Amazon, Barnes and Noble, Apple, and the Internet more generally are creating another shift, to the point where you don’t even need a publisher. We’ve already seen some fruit from that shift in the form of Belle de Jour and Tucker Max. Instead of the “ocean liner” that is television, writers get to pilot skiffs and other small craft that go places the big ships can’t or won’t go. In doing so, writers chart the courses that might one day be followed by the video people, who are so encumbered by budgets and specialization and accountants and executives.

(See also Edward Jay Epstein’s Role Reversal: Why TV Is Replacing Movies As Elite Entertainment.)

Not disappeared, just traveling:

I hate these kinds of posts, but here goes: I haven’t disappeared. I’ve just been traveling, first to New York then to the International Society for the Study of Narrative’s conference (hence “How to keep your customers happy on planes“). Said conference demanded a paper, which I’ve spent all my literary energies on that paper, rather than the usual blog posts, and academic tomes are dense and time-consuming, which cuts into “normal” reading time.

In other words: blah, blah, blah; normal posting to resume shortly.