“Bean freaks: On the hunt for an elusive legume”

Bean freaks: On the hunt for an elusive legume” is among the more charming and hilarious stories I’ve read recently and it’s highly recommended. There are many interesting moments in it, but this tangent caught my attention:

In his late teens, Sando lost weight and found his crowd, learned to improvise on the piano, and discovered, to his great surprise, that he’d become rather good-looking. “What we call a twink now,” he says. Although he never found a true, long-term partner, he married a friend of a friend in his late thirties and had two boys with her, now nineteen and sixteen. “I’d had every lesbian on the planet ask me for sperm,” he says. “But there was a side of me that said, ‘I can’t do this as a passive bystander.’ ” They raised the boys in adjacent houses for a few years, then divorced. “Theres a sitcom waiting to happen,” he says. But he tells the story flatly, without grievance or irony, as if giving a deposition. “The truth is that your sexual identity is just about the least interesting thing about you,” he says. “Do you play an instrument? That would be interesting.”

I think he’s right about the sitcom, and, while I said something like this in a previous post, I’ll say here that I think we’re going to see a lot more gay, bisexual, non-monogamous, etc. characters in movies, TV, and novels not because of a desire to represent those people, or whatever, though that desire may exist, but because of all the new and interesting plotlines and situations those orientations / interests / proclivities open up. Many writers are at their base pragmatists. They (or we) will use whatever material is available and, ideally, hasn’t been done before. As far as I know, a gay man marrying a lesbian and having two kids together, then raising them side-by-side, hasn’t been done and offers lots of material.

Speaking of laughter, this last sentence got me:

Still, admitting that you’re obsessed with beans is a little like saying you collect decorative plates. It marks your taste as untrustworthy. I’ve seen the reaction often enough in my family: the eye roll and stifled cough, the muttered aside as I show yet another guest the wonders of my well-lit and cleverly organized bean closet. As my daughter Evangeline put it one night, a bit melodramatically, when I served beans for the third time in a week, “Lord, why couldn’t it have been bacon or chocolate?”

If the bean club were still open, I’d subscribe. (This will make sense in the context of the article.)

Gay Talese’s “The Voyeur’s Motel”

Gay Talese’s “The Voyeur’s Motel” is one of the most bizarre, compelling, shocking, vile, disgusting, and fascinating stories I’ve ever read. It’s somewhat but not ridiculously explicit (it was published in The New Yorker and consists solely of text), and, about 80% of the way through, the article takes an unexpected twist that deepens the moral questions that haunt the entire thing.

It starts this way:

I know a married man and father of two who bought a twenty-one-room motel near Denver many years ago in order to become its resident voyeur. With the assistance of his wife, he cut rectangular holes measuring six by fourteen inches in the ceilings of more than a dozen rooms. Then he covered the openings with louvred aluminum screens that looked like ventilation grilles but were actually observation vents that allowed him, while he knelt in the attic, to see his guests in the rooms below. He watched them for decades, while keeping an exhaustive written record of what he saw and heard. Never once, during all those years, was he caught.

“WTF?” you may be thinking. That at least was what I was thinking and, even after finishing, still am thinking. “The Voyeur’s Motel” is so unusual that I’m not saving it for a usual links post. An eponymous book will be published in July; I pre-ordered, though doing so has a slightly complicit, slimy feel. Talese feels complicit and by extension so should we, the readers. Is moral contagion a thing? Usually I’d argue no.

Talese also wrote Thy Neighbor’s Wife.

Two visions for the future, inadvertently juxtaposed: Nell Zink and Marc Andreessen

Last week’s New Yorker inadvertently offers two visions for the future: one in a profile of the writer Nell Zink and the other in a profile of the venture capitalist Marc Andreessen. Both profiles are excellent. One of their subjects, however, is mired in a fixed, contemporary mindset, while the other subject looks to a better future.

This is Schultz’s description of Zink: “Zink writes about the big stuff: the travesty of American apartheid; the sexual, economic, and intellectual status of women; the ephemerality of desire and its enduring consequences.” Is any of that stuff really big? Does it matter? Or is it just a list of somewhat transitory issues that obsess modern intellectuals who are talking to each other through magazines like The New Yorker? The material well-being of virtually any American is so much higher than it was in, say, 1900, as to diminish the relative importance of many of the ideas Zink or Schultz considers “big.” At one point Zink “delivered a short lecture on income stagnation: a bird ridiculing its fellow-bird for stupidity.” But global inequality is falling and, moreover, the more interesting question may be absolute material conditions, rather than relative ones. One gets the sense that Zink is a more parochial thinker than she thinks. I sense from The Wallcreeper that she writes about the motiveless and pathless.

Here, by contrast, is Andreessen as described by Tad Friend:

Andreessen is tomorrow’s advance man, routinely laying out “what will happen in the next ten, twenty, thirty years,” as if he were glancing at his Google calendar. He views his acuity as a matter of careful observation and extrapolation, and often invokes William Gibson’s observation “The future is already here—it’s just not very evenly distributed.” Jet packs have been around for half a century, but you still can’t buy them at Target.

and:

The game in Silicon Valley, while it remains part of California, is not ferocious intelligence or a contrarian investment thesis: everyone has that. It’s not even wealth [. . . .] It’s prescience. And then it’s removing every obstacle to the ferocious clarity of your vision: incumbents, regulations, folkways, people. Can you not just see the future but summon it?

Having a real vision counts, and it seems that too few people have a vision for the future. Andreessen is thinking not of today but of what can be made better tomorrow. I would not deny the impact of slavery on contemporary culture or the importance of desire on life, but I would ask Zink: if the U.S. is doing things poorly, who is doing them better? And if the U.S. is doing things poorly why then is Silicon Valley the center of the future?

One of these people reads as an optimist, the other as a pessimist. One reads as someone who makes things happen and the other as someone who complains about things that other people do. One reads as a person with a path. The other doesn’t.

Don’t get me wrong. I liked The Wallcreeper when I read it a couple months ago. I didn’t have much to say about it on this blog because it seems kind of interesting but left me without much feeling. But I can’t help thinking that Andreessen’s vision for the future is big, while Zink’s vision of the present is small.

As a bonus, check out “All Hail the Grumbler! Abiding Karl Kraus,” which is poorly titled but describes Jonathan Franzen’s relationship to art, technology, and other matters. He’s in the Zink school; perhaps something about studying German inculcates an anti-technology backlash among writers, since Germany and the U.S. are both among the most technophilic societies in the world (for good reasons, I would argue). From the article:

Kraus’s savage criticism of popular newspapers, suspicion of technology, and defense of art all appeal to Franzen, whose nonfiction essays strike similar notes. For instance, in the spirit of Kraus, Franzen has attacked the intrusiveness of cellphones and the loss of private space as people bark out the dreck of their lives.

But even “privacy” is a relatively new idea: being alone to read books only really got going in the 18th Century, when books got cheap enough for normal people to borrow them from libraries. The luddites of the day lamented the withdrawal from the private sphere into onanistic privacy. They asked: Why wrap yourself in some imaginary world when the big real world is out there?

As you may imagine I’m more neutral towards these developments. Like many literary types I think the world would be a better place with more reading and less reality TV, but I’ll also observe that the kind of people who share that view are likely to read this blog and the kind of people who don’t aren’t likely to give a shit about what I or anyone like me says.

Much later in the essay its author, Russell Jacoby, writes: “Denouncing capitalist technology has rarely flourished on the left, which, in general, believes in progress.” I get what he’s saying, But denouncing technology in general has always been a fool’s game because a) pretty much everyone uses it and b) to the extent one generation (or a member of a generation) refuses a given technology, the next generation takes it up entirely. Franzen may not like technology circa 2015 but he is very fond of the technology of the printing press. At what point does Franzen think “good” technology stopped?

I’m reminded, unfairly perhaps, of the many noisy environmentalists I’ve known who do things like bring reusable bags to grocery but then fly on planes at least a couple times a year. Buy flying pollutes more than pretty much anything anyone else does. A lot of SUV-drivers living in exurbs actually create less pollution than urban cosmopolitans who fly every two months. By the same token, the same people who denounce one set of technical innovations are often dependent on or love some other set of technical innovations.

Almost no one wants to really, really go backwards, technologically speaking, in time. Look at behaviors rather than words. I do believe that Franzen doesn’t use Facebook or write a blog or whatever, but he probably uses other stuff, and, if he has kids, they probably want smart phones and video games because all their friends have smart phones and video games.

I’m not saying smart phones and video games are good—quite the opposite, really—and I’m sympathetic to Zimbardo’s claim that “video games and porn are destroying men.” But I am saying that the claims about modern technology doing terrible things to people or culture goes back centuries and has rarely if ever proven true, and the people making such claims are usually, when viewed in the correct light, hypocrites on some level. Jacoby does hit a related point: “Presumably, if enough people like SUVs, reality TV, and over-priced athletic footwear, little more may be said. The majority has spoken.” But I want to emphasize the point and say more about not the banal cultural stuff like bad TV (and obviously there is interesting TV) but the deeper stuff, like technology.

The Andreessens of the world are right. There is no way back. The only way is forward, whether we want to admit it or not. The real problem with our cultural relationship to technology—and this is a Peter Thielian point—is that we’re in denial about dependence, need, and the need to build the future.

Links: Jeff Sypeck’s Looking Up, sex and writing, the latest Duke girl, Charles Simic, A Star in a Bottle

* Jeff Sypeck’s book Looking Up: Poems from the National Cathedral Gargoyles, which I enjoyed despite being the totally wrong audience; usually I don’t enjoy poetry and especially contemporary poetry but Looking Up works.

* “A Star in a Bottle: An audacious plan to create a new energy source could save the planet from catastrophe. But time is running out.” This is one of the best articles I’ve read recently.

* “Why Is It So Hard for Women to Write About Sex? Because it’s easier to titillate, shock, and lie than to get at the messy truth about female desire.” I disagree with the premise of the headline, but fortunately the article is more interesting than the headline implies.

* “I’m The Duke University Freshman Porn Star And For The First Time I’m Telling The Story In My Words,” a story that ought not to be a story. I’ll also note that if she really wrote this she’d be among the top 3% of students I taught, although I don’t buy her blaming of things on “the patriarchy;” in my experience and the experience of many women, other women are much worse to women in situations like hers than men are.

* Charles Simic: What’s Left of My Books.

* The Endangered Art of the Movie Novelization.

* Wisconsin tires of public-sector union rent-seeking and offers a model for other states.

Links: The long-distance reader, Flowers in the Attic, goodbye camera, get a real job, and more

* The loneliness of the long-distance reader.

* “Goodbye, Cameras;” in the last two or three years I’ve become more interested in photography.

* “The Flowers in the Attic generation grows up;” after reading innumerable pieces like this one I read the novel a couple years ago and found it boring, perhaps because I’m not a teenage girl?

* “Most likely you go your way and I’ll go mine.”

* “Can’t get tenure? Then get a real job.” I’m following this advice.

* “Don Jon” [the movie] Is A Blue Pill Disaster.

* Tyler Cowen on Megan McArdle’s The Upside of Down,” a book I was ready to dismiss as a writer (who I generally like) recounting the usual papers, but Cowen says “It is extremely well written, engages the reader, is based upon entirely fresh anecdotes and research results, and makes an important point.”

* D. G. Myers: Academe quits me.

* I was prepared to hate “Written Off: Jennifer Weiner’s quest for literary respect” and yet admire the even tone and frequent humor. I’ve often read descriptions of Weiner’s books, considered them, then gone on to something else.

George Packer’s Silicon Valley myopia

It’s ironic that George Packer’s New Yorker article about the tech industry’s supposed political insularity is itself hidden behind a paywall (if this were a New Yorker article, I would cite statistics demonstrating the wealthy demographic served by the magazine and mention a telling detail about the luxury watches advertised within, perhaps with with the cost of the watches as a percentage of median household income used as a comparison). Packer makes a lot of noises about concern for the poor, but genuinely poor people might not be able to afford the magazine and now can’t even read the article about how San Francisco is alluringly pricing them out San Francisco for free.

Perhaps the weakest part of the article comes from references to housing prices, like “the past two years have seen a twenty-per-cent rise in homelessness, largely because of the soaring cost of housing.” But he doesn’t explain how limited supply in the face of increasing demand raises prices, as Matt Yglesias does in The Rent is Too Damn High or Edward Glaeser does in The Triumph of the City. There is a simple solution deploying century-old technology that can ameliorate San Francisco’s housing crisis.

Both Glaeser and Yglesias correctly observe that many urban jurisdictions prevent housing from being built; as a result, prices rise. But it’s not primarily tech companies or their employees who have driven housing prices in Silicon Valley: it’s residents themselves, and the courts that have given residents and politicians extraordinary powers to block development. That’s why “San Francisco is becoming a city without a middle class,” as Packer says in the article.

My own family was part of that exodus: my parents moved us from northern California to suburban Seattle in 1994 because housing prices were unreasonable and because California was becoming an increasingly bad place for middle-class people. Since then, housing prices have continued to drive most population growth towards places like Seattle, Phoenix, Las Vegas, and many of Texas’s cities, especially because urban development is easier in Sun Belt cities. Seattle, unfortunately, appears to be following in California’s footsteps by restricting the growth of housing stock and thus causing prices to rise.

The housing-price thing is one of my own pet peeves, since so few people connect supply restrictions, demand, and pricing; even Steven Berlin Johnson’s otherwise interesting rebuttal buys into Packer’s economic illiteracy. Beyond the housing issues, Packer writes:

Joshua Cohen, a Stanford political philosopher who also edits Boston Review, described a conversation he had with John Hennessy, the president of Stanford, who has extensive financial and professional tides to Silicon Valley. “He was talking about the incompetent people who are in government,” Cohen recalled. “I said, ‘If you think they’re so incompetent, why don’t you include in a speech you’re making some urging of Stanford students to go into government?’ He thought this was a ridiculous idea.”

Hennessy is more right than Cohen: if the system itself doesn’t work, why would anyone want to join it? Few highly competent people want to be ruled by incompetent people, and in government seniority rules. There’s often no way to make important changes from the bottom and no way to reach the top without going through the intermediate layers. That’s presumably why Hennessy doesn’t urge “Stanford students to go into government.”

In tech startups, if you think your company is doing something stupid and everyone ignores you, or ignores an obvious opportunity, you can leave and start your own startup. If you start your own version of government within the U.S., men with guns will show up to stop you.

Although Hennessy might not put it the way I have in the above paragraphs, such thinking is probably behind his statement (assuming, as I do, that Cohen is expressing it reasonably well). I’m writing this as someone whose business is to deal with various sections of federal and state government. It’s hard to imagine that Packer has this kind of experience; if he did, I doubt he’d have the worldview he does.

Packer does note that government investment in technology and research is partially responsible for the Silicon Valley of today (“The Valley’s libertarianism—which ignores the federal government’s crucial role in in providing research money—is less doctrinal than instinctive”), and that’s an important government contribution. But today, spending on science and medical research occupies about 2% of the federal budget; by contrast, spending on old people in the form of Social Security and Medicare occupies about 30%. Warfare, formally known as “Defense and International Security Assistance,” occupies 19%, and some of that goes to R&D of various kinds.

If federal R&D spending were higher as a proportion of the federal budget, Silicon Valley types would probably be much more pro-government. Note that this is a positive statement more than a normative one—that is, I’m not trying to argue that more money should be allocated to R&D and less to old people, but I do think we’d see a more positive view of government among Silicon Valley-types if we did.

There is this comment, which is somewhat myopic and somewhat accurate:

Technology can be an answer to incompetence and inefficiency. But it has little to say about larger issues of justice and fairness, unless you think that political problems are bugs that can be fixed by engineering rather than fundamental conflicts of interest and value

Regarding “larger issues of justice and fairness,” 300 years ago people who couldn’t work starved to death, median life expectancy was low, and numerous infants died of now-preventable diseases. Until the Industrial Revolution, starvation was a reasonably common and regular occurrence. Today, no industrialized countries have mass starvation, and that’s largely because of the technological and scientific progress that enables the social and monetary surpluses to provide important safety nets that Packer now takes for granted. “Political problems” are still real and still important, but so is a sense of progress that has enabled society, collectively, to worry much more “about issues of justice and fairness,” instead of working continually on farms. Technology actually has a lot “to say about large issues of justice and fairness,” because technology has given us the leisure to think about those issues and the wealth with which to address them.

In addition, Packer is mixing up questions about “fairness,” but, as as Roy Baumeister writes:

Fairness is important in all human social relations, whether large or small. But there are two different kinds of fairness. Experts call these equity and equality. Equality means treating everyone the same (obviously). Equity means giving out rewards in proportion to what each person contributed. Under equity, the person who contributes more or better work gets a proportionately bigger share of the reward (97).

Packer is focusing on equality, as he does throughout the article, but equity is important too, and New Yorker and New York Times articles almost always ignore this in discussions of “justice and fairness.” Fairness has to balance how rewards accrue to those who have made outsized contributions versus those who haven’t. That Packer doesn’t even acknowledge this distinction tells us a lot about the political glasses that color his world outlook but very little about how to think about the trade-offs involved with equality versus equity. There is a reasonable argument to be made about how governments should take more from major economic winners and give that to those who aren’t producing much of economic value, but Packer doesn’t even acknowledge these issues.

Sign me up for the Anglo-American team:

From Adam Gopnik’s “Facing History: Why We Love Camus,” sadly hidden behind a paywall:

Olivier Todd, the author of the standard biography in French, suggests that Camus might have benefitted by knowing more about his anti-totalitarian Anglo-American contemporaries, Popper and Orwell among them. Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow. It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end—easy does it; tomorrow may be a bit better than today; and, after all, you have to have a little faith in people—doesn’t diminish the glamour that clings to the man who turned the question over and looked at it, elegantly, upside down

I’d never thought about the issue of meaning quite like this, but I’m definitely on the Popper-Orwell team, the one that asks about making the world “a little bit better tomorrow,” or at least finding something meaningful to do today that might lead to the better world tomorrow. The “grander French” question used to hold more attraction, when I was younger and stupider; now it just looks pointless. If there’s no reason to live, there’s also no reason to die. That’s the essential point Todd Andrews realizes in John Barth’s novel The Floating Opera, and it’s the sort of profundity that seems utterly obvious in retrospect. I’d add one other point: if life is meaningless, you can append any meaning you want, and making things little bit better tomorrow is a pretty choice (you could also say that you’re trying to conduct a marginal revolution that takes small steps toward improvement).

People who find ways to make life meaningful and find ways to be more than just a consumer are, in my view, the ones who win big these days, when we don’t just have meaning handed to us. Instead, we have to try harder to find it. I like the Anglo-American answer, as given by Gopnik’s reading of Camus, but that might just be my own latent Anglo-American culture.

How bloggers are made:

“A person whose financial requirements are modest and whose curiosity, skepticism, and indifference to reputation are outsized is a person at risk of becoming a journalist.”

That’s Louis Menand, in “Browbeaten: Dwight Macdonald’s war on Midcult.” Bloggers come from somewhere similar but adjacent—like the relationship between Vancouver and Seattle—though too few have well-developed senses of curiosity and skepticism.

The rest of the article is boring and historical, but one reason to read the New Yorker is that one never knows when a fabulous sentence worth stealing will appear. The article about Timothy Ferris, for example, says of his dwelling: “There was, inevitably, a framed arty photograph of a naked woman.” He sounds capitally tedious. That word, “inevitably:” it’s perfect. We get the author’s skepticism. We know exactly the kind of person Ferris is (and, I wonder: the kind of person I am?). The skepticism of the word “arty” is perfect; so is picking “naked,” which makes one sound merely revealed and pornographic, over “nude,” which glistens with the sheen of art instead of the sheen of Playboy magazine. The sentence is so good I stole a variant on it for a novel (no one notices if you steal in small proportions, except for James Wood, and if I’m at the point where James Wood notices such theft, I’ll consider myself lucky). In fact, speaking of Wood, there’s a section of How Fiction Works where he speaks of “a sentence from a Maupassant story, ‘La Reine Hortense’:”

‘He was a gentlemen with red whiskers who always went first through a doorway.’ [Ford Maddox] Ford comments: ‘that gentlemen is so sufficiently got in that you need no more of him to understand how he will act. He has been “got in” and can get to work at once.’

Ford is right. Very few brushstrokes are needed to get a portrait walking, as it were; and – a corollary of this – the reader can get as much from small, short-lived, even rather flat characters as from large, round, towering heroes and heroines.

Yes, yes, yes, yes: I worry so much about making sure characters are gotten in now, but it’s never quite right, is it? I can imagine Rebecca Mead, who wrote about Ferris, or Menand above, sweating over those sentences, wondering: are they right? Do you put a comma between “framed” and “arty?” Is “outsized” the right word? The comma question could go either way. “Outsized” could be “severe,” like a storm warning. But those sentences still feel so wonderfully, deliciously right, even embedded in articles that otherwise let one flip to the next, searching, as a surfer will flit from blog to blog.

Links: Books, Text Slang for Adults, public goods and bads, Qwests's weak Internet access offerings, Picplum, unlikely secrets, and more

* Literary agent Jane Dystel: “All of this makes me think that my colleagues on the publishing side have lost sight of the fact that in these new wild, wild west days in publishing, this is the time for them to take more, not fewer, risks. Taking risks has always been what the business of publishing is all about. There are no sure winners, guys, and the more fearful and cautious you get, the more authors will want to publish on their own—and won’t need you anymore.”

* Reminder: in the age of the death of the book, “Publishers sold 2.57 billion books in all formats in 2010, a 4.1 percent increase since 2008. (See also: Umberto Eco and Jean Claude Carriere, This is Not the End of the Book, which is actually about a wide array of topics ancillary to the death, life, or zombiehood of books.)

* Text Slang for Adults. Sample: “NSR = Need some roughage”; “T4W = Time for whiskey.”

* Lev Grossman on writing The Magician King: “when you’re in a certain phase of novel-making, you’re like a magpie: when something gleams at you funny, you swoop down and grab it and take it back to your nest, because you know, you just know, you’re going to need it later.”

* This may be the most impressive blog comment I’ve ever read (it’s from Cory Doctorow):

Education is a public good. It is best supplied and paid for by the group as a whole, because no individual or small collective can produce the overall social benefit that the nation can provision collectively.

Education doesn’t respond well to market forces because many of the social goods that arise from education — socialization, a grounding in civics, historical context, rational and systematic reasoning — are not goods or services demanded by a market, but rather they are the underlying substrate that allows people to intelligently conduct transactions in a marketplace as well as establishing and maintaining good governance.

There is a long and wide body of evidence that people with wide, solid educational foundations that transcend mere vocational skills produce societies that are more prosperous, more transparent, healthier, more democratic — that attain, in short, all the things we hope markets will attain for us.

* If you can get FiOS, you should. Tucson’s Internet access choices are so bad that I effectively have a choice between Comcast, which offers ~12mb / sec down and ~2mb / sec up, and nothing. I saw “nothing” because Qwest offers “DSL” at 1.5mb / sec down, which would’ve been great in, say, 1999, but is terrible now. I actually sent an e-mail to Qwest Arizona president Jim Campbell asking if Qwest was actually going to roll out real competition in my area. To Qwest’s credit, his administrative assistant, Deborah Statt, replied and said there wouldn’t be any improvement in 2010. Also to Qwest’s credit, she’s followed-up consistently. Alas, however, responsiveness doesn’t mean improvement, and I’m still stuck with Comcast.

* Michael Chabon’s The Yiddish Policemen’s Union comes to life, at least in terms of villains.

* PicPlum calls itself “the easiest way to send photos.” I ordered some; we’ll see how it goes.

* We’ll Show You Ours if You Show Us Yours; “we thought it would be fun to round up the favorite dirty books of some of our most illustrious literary critics at The Times. Below, their spicy replies.”

* Someone found Grant Writing Confidential by searching for “secrets to writing like dan brown.” I would start by being incoherent on the level of the sentence.

Links: Books, Text Slang for Adults, public goods and bads, Qwests’s weak Internet access offerings, Picplum, unlikely secrets, and more

* Literary agent Jane Dystel: “All of this makes me think that my colleagues on the publishing side have lost sight of the fact that in these new wild, wild west days in publishing, this is the time for them to take more, not fewer, risks. Taking risks has always been what the business of publishing is all about. There are no sure winners, guys, and the more fearful and cautious you get, the more authors will want to publish on their own—and won’t need you anymore.”

* Reminder: in the age of the death of the book, “Publishers sold 2.57 billion books in all formats in 2010, a 4.1 percent increase since 2008. (See also: Umberto Eco and Jean Claude Carriere, This is Not the End of the Book, which is actually about a wide array of topics ancillary to the death, life, or zombiehood of books.)

* Text Slang for Adults. Sample: “NSR = Need some roughage”; “T4W = Time for whiskey.”

* Lev Grossman on writing The Magician King: “when you’re in a certain phase of novel-making, you’re like a magpie: when something gleams at you funny, you swoop down and grab it and take it back to your nest, because you know, you just know, you’re going to need it later.”

* This may be the most impressive blog comment I’ve ever read (it’s from Cory Doctorow):

Education is a public good. It is best supplied and paid for by the group as a whole, because no individual or small collective can produce the overall social benefit that the nation can provision collectively.

Education doesn’t respond well to market forces because many of the social goods that arise from education — socialization, a grounding in civics, historical context, rational and systematic reasoning — are not goods or services demanded by a market, but rather they are the underlying substrate that allows people to intelligently conduct transactions in a marketplace as well as establishing and maintaining good governance.

There is a long and wide body of evidence that people with wide, solid educational foundations that transcend mere vocational skills produce societies that are more prosperous, more transparent, healthier, more democratic — that attain, in short, all the things we hope markets will attain for us.

* If you can get FiOS, you should. Tucson’s Internet access choices are so bad that I effectively have a choice between Comcast, which offers ~12mb / sec down and ~2mb / sec up, and nothing. I saw “nothing” because Qwest offers “DSL” at 1.5mb / sec down, which would’ve been great in, say, 1999, but is terrible now. I actually sent an e-mail to Qwest Arizona president Jim Campbell asking if Qwest was actually going to roll out real competition in my area. To Qwest’s credit, his administrative assistant, Deborah Statt, replied and said there wouldn’t be any improvement in 2010. Also to Qwest’s credit, she’s followed-up consistently. Alas, however, responsiveness doesn’t mean improvement, and I’m still stuck with Comcast.

* Michael Chabon’s The Yiddish Policemen’s Union comes to life, at least in terms of villains.

* PicPlum calls itself “the easiest way to send photos.” I ordered some; we’ll see how it goes.

* We’ll Show You Ours if You Show Us Yours; “we thought it would be fun to round up the favorite dirty books of some of our most illustrious literary critics at The Times. Below, their spicy replies.”

* Someone found Grant Writing Confidential by searching for “secrets to writing like dan brown.” I would start by being incoherent on the level of the sentence.

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