TV had to learn everything novelists already knew: an example from The Sopranos

From Vanity Fair’s brilliant Oral History of The Sopranos:

ALLEN COULTER (director): Sopranos gave the lie to the notions that you had to explain everything, that you always had to have a star in the lead, that everybody had to be ultimately likable, that there had to be so-called closure, that there was a psychological lesson to be learned, that there was a moral at the center that you should carry away from the show, that people should be pretty, that people should be svelte. The networks had essentially thrown in the towel on good drama. It’s like changing the direction of an ocean liner. But Sopranos did it. They changed the game.

It’s strange to read this, because it feels to me like novelists have always known this, or have at least known it since the 1920s. I think of writers like Henry Miller or James M. Cain, who were experts at unlikable characters and showing the only “psychological lesson to be learned” is that there is no psychological lesson to be learned.

Later, I think of someone like George V. Higgins, who specialized in unpretty, ungainly characters. But I wonder if TV took so long to learn these lessons because a) it was a mass medium that required appealing to everyone and b) because up until recently, there were only a handful of real outlets that could afford to produce real shows. So there wasn’t the same kind of experimentation that novelists could conduct, since a novelist needed nothing but time and paper (or, today, time and a computer) and a publisher.

Today, Amazon, Barnes and Noble, Apple, and the Internet more generally are creating another shift, to the point where you don’t even need a publisher. We’ve already seen some fruit from that shift in the form of Belle de Jour and Tucker Max. Instead of the “ocean liner” that is television, writers get to pilot skiffs and other small craft that go places the big ships can’t or won’t go. In doing so, writers chart the courses that might one day be followed by the video people, who are so encumbered by budgets and specialization and accountants and executives.

(See also Edward Jay Epstein’s Role Reversal: Why TV Is Replacing Movies As Elite Entertainment.)

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