Colleen Lindsay’s The Swivet is worth reading, and from it comes an article about women in science fiction and fantasy that uses Harry Potter as a launching pad to argue that sexism animates some attacks on Harry Potter and female science fiction and fantasy authors more generally. I don’t think it motivates Bloom’s criticism of Harry Potter, and it certainly doesn’t motivate mine. The first two novels, which I read, weren’t all very good because they were cliché-laden and deprived of magic sentences. Why they’re so much more popular than the rest of the voluminous fantasy pile is unclear, and I attribute it to the vagaries and mysteries of books and place. Alas, some attackers of Rowling are fools, like at least one Harvard student:
Writing in the university paper, the Harvard Crimson, student Adam Goldenberg rips into Rowling as “a flash in the pan”, “a petty pop culture personality” who “tricked parents into letting their kids read books filled with sex, murder, and homosexual role models”. Furthermore, “writing bedtime stories is lame”.
One can, however, reach the right conclusion—that Harry Potter isn’t very good—using faulty reasoning, and just because someone uses faulty reasoning doesn’t mean their conclusion is incorrect in and of itself. If the article wanted to make a larger point not by citing Harry Potter, but one of the less-known female fantasy writers it deals with in the fourth paragraph—none of whom I know well enough to comment on.
I suppose that, being male, my argument could somehow be latent sexism emerging, though it seems unlikely given that one of the greatest fantasy, science, and speculative fiction writers of all time is Ursula K. Le Guin, who I used as an example of one of the few transcendent science fiction writers. Jane Smiley is one of my favorite modern writers—her work is uneven, but Moo and A Thousand Acres are excellent—and Flannery O’Connor’s short stories and novellas are masterpieces. Perhaps the “subtle mechanism” described only applies to fantasy and science fiction, but even there I’m not sure it’s truly at work, and separating where the many legitimate attacks on Rowling end and the possible sexism begins isn’t an easy task. Because there are so many legitimate attacks to be made, I’m not sure it can be done save through critics aren’t all that serious in the first place.
As long Rowling is in the air, I will give her credit for her commencement speech at Harvard, which has gotten a tremendous amount of deserved attention in blogs and the media: it’s funny and deep, while the temptation to keep throwing on positive adjectives is difficult to resist. I only wish Harry Potter had been up to the standards of that speech, in which case this post wouldn’t have been written.