Tag Archives: Ideas

Warning: Don’t buy James Scott Bell’s Plot & Structure: (Techniques And Exercises For Crafting A Plot That Grips Readers From Start To Finish)

November 26, 2012 By in Nonfiction, Writing Tags: , , , , , , , , , 16 Comments

I bought Plot & Structure because the issue of how a novel’s narrative moves seems to be understudied by academics, who tend to produce jargon-laden, overly analytical nonsense, and by novelists themselves. I’d really like an equivalent of How Fiction Works, but for an important matter that James Wood disdains (“the novel soon showed itself willing to surrender the essential juvenility of plot”). My ideal book would, as Wood says, ask “a critic’s questions and [offer] a writer’s answers.”

Unfortunately, Bell asks few questions and offers fewer answers. This is frustrating to me because, when I started writing, plot was a major weakness. The first two novels I actually wrote to completion had no real plots and thus weren’t very good novels (my Dad pointed out the former and let me infer the latter). Since then I’ve spent a lot of time thinking about plot, and being dissatisfied that I’ve never seen it addressed well elsewhere. Self-consciously literary writers and critics tend to discount it (as Wood does), sometimes to the detriment of their own work.

Genre writers tend to understand plot but either aren’t known to me, critically speaking, or write so poorly on a sentence-by-sentence level that their work isn’t interesting. To me, the best novels combine plot/story and language in a single, cohesive package. That, however, is difficult to do, and the difficulty may explain why we see so many arid academic-feeling novels about, oh, I don’t know, language and pure consciousness and What It Means To Be Alive Today, while so many genre novels with ticking bombs and handsome heroes and buxom heroines who put out surprisingly easily and simple words laid out in simple ways that won’t confuse anyone.

Not only is this dearth annoying because of my own flaws, but because I can’t point aspiring writers to a particular book and say, “Read this.” I can talk about some of my own techniques—I’ve written plot outlines for a number of books I admire, like an artist tracing his favorite paintings in order to imbibe their spirit and technique. With scenes, I’ve learned to ask what each character wants, what stands in his or her way, and why he or she is doing to overcome that barrier. I don’t always have answers—the characters often don’t have them, either—but at least asking the questions provides some structure to what might otherwise be a misaligned mess.

One can’t, of course, separate plot from character, setting, narrating, and other technical features in a novel. It would be stupid to try. But plot is a great blindspot in Wood’s criticism, and it’s a blind spot I aspire to see, or to see someone else seeing.

Bell, however, is blind.

Elmore Leonard on what it means to write

November 19, 2012 By in Life, Writing Tags: , , , , 1 Comment

“I’m glad I’ve always had a commercial bent. I want to make money doing this. I had no dream of going to the Iowa Writing School, or whatever it’s called, and learning to write that way. When The New Yorker guy asked me to send him a story, I said, ‘I don’t write New Yorker stories. The stories I write I can always understand.’ And I can. My stories always have a definite ending, a payoff. I think he was a little insulted.”

—Elmore Leonard, in an interview with Keith Taylor for Witness

Bad academic writing: Rebecca Biron and the Mexican drug war in PMLA

November 8, 2012 By in Academia, Books Tags: , , , , , , , , 3 Comments

In “It’s a Living: Hit Men in the Mexican Narco War,” Rebecca E. Biron writes:

Hit men in the twenty-first-century Mexican drug war engage in paid labor at the extreme end of capitalist exploitation. By “extreme end,” I mean the period of late hyper- capitalism in which transnational profit seeking trumps national as well as international regulatory systems designed to serve broad social stability. I also mean the outer limits of how capitalist interests use (up) human beings [. . .]

But “the twenty-first-century Mexican drug war” isn’t a good example of capitalism at work: to the extent that capitalism is about selling people things they actually want, with a (relatively) limited amount of state control, drugs should be legal: there’s a willing buyer, a willing seller, and no intermediary who gets hurt. Yet the state—which is conventionally associated with communism / socialism—prohibits drug use, using the logic of “serv[ing] broad social stability” and similarly bogus euphemisms.

If anything, the hit men should be considered exploited by state policies around prohibition, rather than capitalism or capitalists.

Plus, if exploitation is inherent capitalism, what kind of economic or political system doesn’t or hasn’t involved exploitation? And I’m not talking about a theoretical one: I’m talking about a real example in the real world. I don’t think any exist, at least in any meaningful sense. Although the U.S. and Western Europe certainly aren’t without warts and blemishes, both historical and contemporary, it’s notable that the Soviet Union exterminated millions of its own citizens in a calculated, industrialized fashion. The Soviet Union also engaged in foreign conquest and terror to a vastly greater extent than the U.S. did or, today, could even aspire to.

The problem with justifying college involves cost

October 22, 2012 By in Academia, Links Tags: , , , , , , , , Leave a comment

In “Telling the Right Story,” Dean Dad notes that higher education has had a series of real or perceived crises, around hippies / protests, diversity / multiculturalism, and, as he says, the latest set are “about cost.” Though I would say they’re about cost and value, the basic point remains: skepticism regarding the utility of conventional colleges and universities is growing, as is skepticism about the idea that the “lifetime payoff” of college always justifies its costs for all people. Dean Dad ends his post by saying, “have you seen or heard a better story for demonstrating the value of public higher ed to the public?”

To me, the problem is simple: “the value of public higher ed” increasingly depends on the major that one picks and the amount of work that one does in college. Payscale.com’s salary data shows data for a bunch of majors, with things like art and social work clustered at the bottom while engineering and applied math at the top. (I find the relatively low salaries of business majors interesting.) Someone who majors in petroleum engineering (starting pay: $98,000; mid-career in the mid six figures) is basically living in a different world than someone majoring in sports management ($35,300 and $57,600, respectively). Lumping both into “college” makes only slightly more sense than lumping McDonald’s and dung beetles into the general category of “food” just because both happen to be edible.

As Megan McArdle wrote, “It’s very easy to spend four years majoring in English literature and beer pong and come out no more employable than you were before you went in.” People who aren’t developing important skills should be asking what they are doing; by now, it’s pretty clear that a lot of majors don’t require much effort. Colleges are happy to offer some majors that require learning and some that don’t. This isn’t purely anecdotal: as Academically Adrift demonstrates, a lot of students simply aren’t learning that much in many majors. In chemical engineering and computer science, students are presumably learning the kinds of skills they need to get paid a lot of money. Alternately, those majors weed out students who can’t or won’t learn the material.

If they students get out of college and end up in jobs that don’t require a college degree, then perhaps they shouldn’t have gone to college in the first place. Universal college isn’t a panacea, especially for people who enter without the skills, motivation, or inclination to succeed. Plus, not everyone does well sitting in a classroom and manipulating abstract symbols. Which is okay. But we’re pretending that everyone should sit quietly in classrooms and manipulate abstract symbols, and we’re subsidizing them through student loans to let them do so, and then we’re surprised when not everyone fits this profile.*

To be sure, there is more to life than money, but again, Academically Adrift shows that a lot of students don’t appear to be learning anything measurable. Maybe they’re growing as people. But $50,000 – $250,000 is an onerous payment for that growth, especially when the debt incurred for the growth can’t be discharged through bankruptcy.

To return to Dean Dad’s point, I don’t think he or anyone else will hear “a better story” than the one we have now (“We’ve used the ‘lifetime payoff’ argument for a long time, generally to good effect. But that argument gets less convincing when the cost to the student goes up and entry-level opportunities go down”) until we, collectively, acknowledge reality and look much more closely at how lifetime income varies by major.

Clever stories can’t hide hard truths.

I’ve written about this set of issues before. I’m sure I’ll write about them again.

* Arguably the worst-off students are the ones who attend for two or more years, incur the debt, and then don’t graduate. They don’t even have the piece of paper at the end.

We all have value systems, even if dollars aren’t their main currency

October 2, 2012 By in Culture, Nonfiction Tags: , , , , , , , , , Leave a comment

In Robert Skidelsky’s Econtalk interview, he mentions that we get restless if we have nothing to do, and there’s a certain amount of insatiability that appears built into the human condition. He’s referencing money, but it made me realize something: academics and intellectuals are restless and insatiable too, but they don’t use conventional currency: they use citation counts and perceived intellectual influence. They aren’t (mostly) acquisitively forward-looking, but they are interested in writing more and more, in order to have a greater and greater reputation.

Skidelsky’s most recent book is How Much is Enough?: Money and the Good Life, and in it he evidently discusses the idea of material good saturation, which is, I suspect, a topic that’s going to become more and more interesting over the course of my life. Most of us, as he points out and he points out that Keynes pointed out, reach a point of diminishing returns when it comes to goods and many other things: having a working car is very valuable to many of us, but having a $100,000 car is less so. Having a computer is very valuable, but having the latest model is less so. But we’re still working quite hard for goods that might not be valuable enough.

I leave it to the reader’s imagination to apply how the previous paragraph might be applied to academics or intellectuals, for whom it seems there is never enough respect go around.

Skidelsky’s point about work is especially interesting to me because I’m a person who has been working, so to speak, to make the kind of “work” that I do fun—at which point it’s not really onerous. I wonder if that kind of move is the future of work. We also get a certain amount of satisfaction from doing a thing well, and perhaps that will drive us, collectively, even in the face of not needing to do certain things to the extent that we need to do them now.

Universities for artists: Know your purpose, know what you’re getting

September 30, 2012 By in Academia, Teaching Tags: , , , , , , , , , 1 Comment

A friend is in his 20s and wants to be a writer. He’s mucked around in college some without amassing enough credits to count towards anything, and he thinks he might want to start at a university again in order to become a better writer. I’ve been discouraging him, because of his age and his state goals. He started classes again this semester but seems disenchanted with them, and after talking for a while the other night, I wrote a long e-mail that summarized my views and why college is probably the wrong route for him:

If you said to me that you’re tired of working in coffee shops and want an office job in a corporation or government, a degree should be your number one priority. Not only is that not your goal, but your goal is to be a better writer. To accomplish that, school is at best a mixed bag.

At anything below the most elite schools, most students in intro-level writing courses are not particularly good writers or interested in becoming good writers (and even in elite schools, bad writers but good hoop-jumpers abound). Intro courses won’t necessarily be of much help to you. Most intro-level non-writing courses (like “Rocks for Jocks,” AKA geology) are likely to be even worse. My honors students say their classmates in classes like “Love and Romance in the Middle Ages” and “Intro to Art History” are barely literate; the honors students turn in bullshit they’ve slammed out the night before and get 100% because they are, most of them, functionally literate. They complain about not learning anything about writing in their other humanities classes. You will probably have to wade through at least a year or two of courses that provide almost no value to your stated goal—becoming a better writer—before you get a real shot at, say, English classes.

Once you are there, however, many professors aren’t especially interested in teaching, even in English classes, and the effect of many English classes on your writing skills might be small. Does reading Paradise Lost and Gulliver’s Travels and the Romantic poets in a Brit Lit I survey make you a better writer of contemporary fiction, essays, and criticism, if your professor / TA spends no time covering the basics of writing? Will sitting through a lecture on Beckett’s role in the Modernism / Postmodernism divide help you understand better metaphors in your writing, or help you construct a plot that has any actual motion?

The questions suggest the answers. I’m not saying these English classes will hurt you. But I’ve sat through a lot of those classes, and few have anything to do with writing, which is one of my many beefs with English departments and classes; too little time is spent building concrete writing and reading skills, and too much time is spent discussing works of some historical value and very little contemporary value (I’m not convinced Sister Carrie, which is one massive violation of the cliche “Show, don’t tell” will make you a better novelist today, any more than studying the math of the 1850s in its original context will make you a better mathematician).

Some professors teach close reading and who will really work with you to develop your writing skills, especially if you follow the advice I offer. But those experiences are at best hit-and-miss, and more often than not misses. They depend on the professor, and you won’t know if a class might be useful until you’re already in it.

Plus, getting to those classes will probably take a long time and a lot of money and hoop jumping. The more direct route for you is through a writers’ workshop, which almost all communities of any size have.

That’s the learning part of the equation. From the job/status/credential part of the equation, and as I’ve said before, the effect of school on labor market outcomes is quite binary: you have a degree and make a lot more money in the aggregate, or you don’t and you make a lot less money. Starting a degree without finishing it is one of the worst things you can do, speaking financially and in terms of opportunity cost. That’s why it’s so vital for you to either start and finish or not start.

If you were 18 and didn’t know what the hell else to do, I would tell you to go to college because your peers are doing it and most 18-year-olds don’t know anything and waste most of their time anyway. You could noodle around in a lot of classes and maybe learn something and at least you’ll finish with a degree. Beyond that, a lot of college happens between the lines, through living in dorms and developing a peer network. But you’re not 18, you already know something (you do), and you have a (presumed) goal that you don’t necessarily have to go through school to accomplish. If your goal changes—i.e. you decide you don’t want to work in retail or coffee or unskilled labor and you want to get some other kind of job—then my advice will change.

A distressingly small amount of actual learning goes on in college classrooms. You can see this in Arun and Josipka’s Academically Adrift: Limited Learning on College Campuses. You can read a different take by searching for “The Case Against Education,” which is the title of Bryan Caplan’s book concerning signaling / credentialism in education. Or you can look at the people around you, who might be the most compelling argument. People who are really determined to get education do get it, but outside of the hard sciences, there’s a LOT of bullshit. The stuff that isn’t bullshit will be hard for you to find. Not impossible, but hard. And you don’t get the monetary benefits without finishing.

The college wage premium is still real, but it only applies to people who actually want to work at jobs that require college degrees. If you want to be an engineer, go to college. In “How Liberal Arts Colleges Are Failing America,” Scott Gerber points out that “A degree does not guarantee you or your children a good job anymore. In fact, it doesn’t guarantee you a job: last year, 1 out of 2 bachelor’s degree holders under 25 were jobless or unemployed.” I look around the University of Arizona, and it’s clear to me that a variety of majors—comm and sociology are the most obvious—provide almost no real intellectual challenges and hence no real skills, whatsoever. The business school at the U of A seems better, but it’s still hard for me to ascertain, from the outside, if what goes on there really matters.

To recap: I don’t think going to school is bad or will hurt you. But I’m also not convinced that going to school is an optimal use of time / money for you.

I still think that, if you really want to be a writer, the absolute number one thing you have to do is write a lot—and want to write a lot, because the writing itself comes from the desire. In Malcolm Gladwell’s book Outliers, he discusses the research on the “10,000-hour rule,” or the idea that it takes 10,000 hours of deliberate practice to achieve mastery of a skill. I’m not totally convinced that 10,000 hours is the magic number, or that anyone can deliberately practice for 10,000 hours in a given field and master it, but the basic idea—that you have to spend a LOT of time practicing in order to achieve mastery—is sound. To the extent you want to be a writer and that you spend time in classes that are at best tangentially involved with being a writer, I think you are making a mistake in the way you’re allocating your limited time and resources. You might be better off, say, going to the library and reading every Paris Review interview, going back to the beginning, and writing down every quote that speaks to you.

All of us have 24 hours in a day. Any time you spend doing one thing can’t be spent doing another. If you want to become a writer, I think you should allocate most of your time to writing, not to classes, unless you want to be a writer in some officially sanctioned organ, like a newspaper.

Finally, if you want to be a better writer, write stuff (blog posts, novels, essays, whatever) and send them to me. I will give you more detailed feedback than 99% of your professors. With me, the price is also right.

Beyond that, I want to emphasize just how hit-and-miss my education was, especially now that I look back on it. This was clearest to me in high school: as a freshman and sophomore, I had three really good English teachers from whom I learned a lot: Thor Sigmar, Mindy Leffler, and Jack someone, who taught journalism but whose name now escapes me, though he was very good at what he did and had a very dry sense and hilarious of humor. He also drove a black Miata and was clearly in the closet, at least from the perspective of his students. Then I had two terrible teachers: one named Rich Glowacki, who, distressingly, appears to still be teaching (at least based on a cursory examination of Google, and another named Nancy Potter. The former did an excellent impression of a animatronic corpse and was fond of tests like “What color was the character’s shoe in Chapter 6?” Moreover, one time I came in to talk to him about the “literary terms” he wanted us to memorize for a test. He couldn’t define many of the terms himself; in other words, he was testing us on material that he himself didn’t know.

That moment of disillusionment has stayed with me for a very long.

The other, Nancy Potter, was so scattered that I don’t think anything was accomplished in her class. She also wrote a college letter of recommendation for me that was so screwed up, and so strewn with typos and non sequiturs, that my Dad and I had to rewrite it for her. When your 18-year-old student is a better and more competent writer than you, the teacher, something is seriously amiss.

In college, I went to Clark University, where pretty much all the professors in all the departments are selected for their interest and skill in teaching. I ran into few exceptions; one was a guy who appeared to be about a thousand years old and who taught astronomy. He has trouble speaking and didn’t appear to know what he wanted to speak about on any given day.

Now that I know more about universities, I can only assume he was on the verge of retirement, or was already emeritus, and had been given our class of non-majors because a) he couldn’t do much damage there and b) the department knew it was filled with students who were taking the class solely to fulfill the somewhat bogus science requirement. He didn’t do much damage, except for some infinitesimally small amount to Clark’s reputation, and I assume the other people in the department were happy to avoid babysitting duty.

He, however, was very much the exception at Clark.

Most public colleges and universities are quite different than Clark, and the teaching experience is closer to public high schools, with some good moments and some bad. If your goal is to be an artist, or to learn any kind of skill in depth, you could spend years paying tuition, taking prerequisites of dubious utility, and struggling to find the right teacher or teachers, all without actually accomplishing your goal: learning some kind of skill in-depth.

I don’t think this applies solely to writers, either. If you’re a programmer, there are hacker collectives, or user groups, or equivalents, in many places. Online communities are even more prevalent. I have no idea how good or useful such places and people are. But the price is right and the cost of entry is low. Determined people will find each other. If you’ve got the right attitude towards receiving and processing criticism, you should be ready to take advantage. Knowledgable people should be able to point you in the direction of good books, which are hard to find. You should signal that you’re ready to learn. If you do those things right, you can get most if not all of what you would normally get out of school. But you also have to be unusually driven, and you have to be able to function without the syllabus/exam/paper structure imposed by school. If you can’t function without the external imposition of those constraints, however, you’re probably not going to make it as an artist anyway. The first thing you need is want. The second thing you need is tenacity. The first is useless without the second.

Stories like “Minimum Viable Movie: How I Made a Feature-Length Film for $0″ should inspire you, especially because you need even less money to be a writer than you do to make a movie. Arguably you also need less money to be a musician than you do to make a movie, although I’m less knowledgable on that subject and won’t make absolute pronouncements on it.

Again, I am not anti-school, per se, but it is important to understand how much or most school is about signaling and credentialing, and how easy a lot of school is if you’re willing to stay quiet, keep your ducks in a line, and jump through the hoops presented. It’s also important to understand the people who benefit most from offering arts training: the instructors. They get a (relatively) light teaching load, the possibility of tenure, a cut of your tuition, and time and space to pursue their passion, while you pay for their advice. Getting a gig as a creative writing professor is pretty damn sweet, regardless of the outcomes for students. That doesn’t mean creative writing professors can’t be very good, or very helpful, or improve your work, or dedicated to teaching, but it does mean that you should be cognizant of what benefits are being derived in any particular economic transaction. When small amounts of money are involved, it’s easy to ignore the economic transaction part of school, but now that tuition is so high, it’s impossible for anyone but the stupendously rich to ignore financial reality, like who gains the most when you enroll in a creative writing seminar.

As a side note, I think we’re already starting to see a shift away from the college-for-everyone mentality (that’s what the posts by Gerber and others are doing). Ironically enough, the universities themselves are involved in a perverse loan-based system whose present incentives are eventually going to drive their customer base away through price hikes. Universities are still going to be good deals and useful for some people, but those people will probably turn out to be more intellectual and analytical—the kinds of people who will benefit from knowledge dissemination and who will ultimately feel the need to create new knowledge. I also suspect a lot of non-elite private schools are going to have even larger problems than public schools. This isn’t a novel argument, but that doesn’t make it any less real, or any less likely to happen.

Anyway, I’m broadening the view too far here. The important thing is that you understand yourself and understand the system that you’re entering and how it incentivizes its participants. If you understand that, I think you’ll increasingly understand my skepticism about the utility of college classes for someone in your situation.

To most people, reading and writing are boring and unimportant

September 15, 2012 By in Culture, ideas, Links Tags: , , , , , , 1 Comment

Robin Hanson says: “… folks, late in life, almost never write essays, or books, on ‘what I’ve learned about life.’ It would only take a few pages, and would seem to offer great value to others early in their lives. Why the silence?”

He offers various explanations, like “People don’t want to hear the truth, and they won’t find lies useful, so why bother,” “Young folks already think they know all the answers, so won’t listen,” and “Few care what people will think of them after they are dead.” But he also says, “None of these explanations seem especially satisfactory. What’s going on?” I offered my theory in the comments section but will elaborate on it here: Most people don’t give a shit about writing or ideas. You can observe this from their behavior. People do things that are important to them (like watching TV, making money, or having sex) and don’t do things that aren’t important to them.

Let’s change the question a little: Why doesn’t Robin build furniture, or write vital open-source software, or feed the hungry in his spare time? Those would seem to offer great value to others. Actually, he might do some of this stuff—Robin seems like the sort of fellow with a lot of unusual hobbies and habits—but even if he does some of that stuff, the question becomes why he does that and not some other valuable thing. Maybe he’s doing the value maximizing thing for him, in which case he enjoys it, in which case he keeps doing it. The question and answers become circular and tautological very quickly, but in this case I don’t think “circular” is “wrong.”

To return to the original question about “What I’ve learned about life,” I think that, for most people, writing life lessons, or whatever, would be completely unimportant. Plus, as a corollary to that, writing is really hard for most people. It’s really hard for me, and I do it every day! So we probably shouldn’t be surprised that most people don’t bother doing hard, meaningless things. Starting from scratch in any skill is a challenge. I’d like to learn how to sew, but I don’t even really know how to start (outside of a Google search), and I don’t really have time to begin learning a complex new skill until October 5. So although I’d like clothes that fit better, I don’t want them badly enough to really do something about it and build domain knowledge in that field.

So, given that most people find new skills hard to learn, and find writing unimportant and boring, the better question is: Why do people write, especially blogs? Robin is the outlier, not the hypothetical old person imparting life lessons. You could reduce this question to, “Why isn’t reading and writing important to most people,” and beyond the obvious answer—they can survive and reproduce without them—I don’t have much.

Gwern’s answer in Robin’s comments seems sound to me: “Differing incentives and realities. Old adults give advice to teens which basically assume they can act like old adults; they forget just how painful things like waiting were, and wish away even the most transparently biological realities like shifts in circadian rhythms.” I would add that teens also don’t think they’ll ever be old. They live in the present.

Thinking back over my own life, I’m struck by how few old people have had useful advice for me. For adolescents and young adults, sex is tremendously important, yet few old people give real advice about it, or gave real advice to me; many of them also don’t seem to understand what the modern dating environment is like. In addition, old people might be worried about coming across as lascivious or inappropriate, when they’re really just trying to impart knowledge—I know that I seldom tell my students, for example, what the dating world is actually like.

I’m also really interested in being a writer, and have been for a long time, but very few adults know anything about being a writer. Those who do often don’t know anything about the Internet, which is now inextricably linked with most writers’ writing lives. So the limited advice that old people can offer often doesn’t seem applicable to me.

Perhaps some old people sense this, and sense that many younger people won’t listen to them anyway.

Facebook and cellphones might be really bad for relationships

September 14, 2012 By in Culture, ideas, Tools Tags: , , , , , , , 12 Comments

There’s some possibly bogus research about “How your cell phone wrecks your relationships — even when you’re not using it.” I say “possibly bogus” because these kinds of social science studies are notoriously unreliable and unreproducible.* Nonetheless, this one reinforces some of my pre-existing biases and is congruent with things that I’ve observed in my own life and the lives of friends, so I’m going to not be too skeptical of its premises and will instead jump into uninformed speculation.

It seems like cell phones and Facebook cordon a large part of your life from your significant other (assuming you have one or aspire to have one) and encourage benign-seeming secrecy in that other part of your life. In the “old days,” developing friendships or quasi-friendships with new people required face-to-face time, or talking on the phone (which, at home, was easily enough overheard) or writing letters (which are slow, a lot of people aren’t very good at it or don’t like to write letters). Now, you can be developing new relationships with other people while your significant other is in the same room, and the significant other won’t know about the relationship happening via text message. You can also solicit instant attention, especially by posting provocative pictures or insinuating song lyrics, while simultaneously lying to yourself about what you’re doing in a way that would be much harder without Facebook and cell phones.

Those new relationships start out innocently, only to evolve, out of sight, into something more. Another dubious study made the rounds of the Internet a couple months ago, claiming that Facebook was mentioned in a third of British divorce petitions. Now, it’s hard to distinguish correlation from causation here—people with bad relationships might be more attached to their phones and Facebook profiles—but it does seem like Facebook and cellphones enable behavior that would have been much more difficult before they became ubiquitous.

I don’t wish to pine for a mythical golden age, which never existed anyway. But it is striking, how many of my friends’ and peers’ relationships seem to founder on the shoals of technology. Technology seems to be enabling a bunch of behaviors that undermine real relationships, and, if so, then some forms of technology might be pushing us towards shorter, faster relationships; it might also be encouraging us to simply hop into the next boat if we’re having trouble, rather than trying to right the boat we’re already in. Facebook also seems to encourage a “perpetual past,” by letting people from the past instantly and quietly “re-connect.” Sometimes this is good. Sometimes less so. How many married people want their husband or wife chatting again with a high school first love? With a summer college flame? With a co-worker discussing intimate details of her own failing relationship?

Perhaps relationship norms will evolve to discourage the use of online media (“Are we serious enough to de-active each other’s Facebook accounts?” If the answer is “no,” then we’re not serious and, if I’m looking for something serious, I should move on). Incidentally, I don’t think blogs have the same kind of effect; this blog, for instance, is reasonably popular by the standards of occasional bloggers, and has generated a non-zero number of groupies, but the overall anonymity of readers (and the kind of content I tend to post) in relation to me probably put a damper on the kinds of relationship problems that may plague Facebook and cell phones.

EDIT: See also “I’m cheating on you right now: An admiring like on your Facebook page. A flirty late-night text. All while my partner’s right there next to me” mentions, unsurprisingly:

A study in 2013 at the University of Missouri surveyed 205 Facebook users aged 18–82 and found that “a high level of Facebook usage is associated with negative relationship outcomes” such as “breakup/divorce, emotional cheating, and physical cheating.”

Again, I want to maintain some skepticism and am curious about studies that don’t find a difference and thus aren’t published. But some research does match my own anecdotal impressions.

* If you’d like to read more, “Scientific Utopia: II – Restructuring Incentives and Practices to Promote Truth Over Publishability” is a good place to start, though it will strike horror in the epistemologist in you. Or, alternately, as Clay Shirky points out in “The Cognitive Surplus, “[…] our behavior contributes to an environment that encourages some opportunities and hinders others.” In the case of cell phones and Facebook, I think the kinds of behaviors encouraged are pretty obvious.

Alif the Unseen — G. Willow Wilson

August 6, 2012 By in Books, Fiction, Reviews Tags: , , , , , Leave a comment

Alif the Unseen almost works, but it persistently mischaracterizes technology in a distracting, false-sounding way that its eponymous hacker protagonist wouldn’t. On the first page of Alif’s narration, we find this about his phone: “Another hack had set this one up for him, bypassing the encryption installed by whatever telecom giant monopolized its patent.” But encryption algorithms are math, and math can’t be patented. Furthermore, a patent is by definition a limited monopoly right. As a result, the last part of the sentence seems incoherent. And what is being encrypted? The phone’s operating system? Its user data?

A few pages later, Alif is “watching as a readout began to scroll up the screen, tracking the IP address and usage statistics of whoever was attempting to break through his encryption software.” But reading “usage statistics” makes no sense here: Alif isn’t, say, providing blogging software or an e-commerce platform (a few pages later, he installs a keystroke logger and other software on the computer of his love interest, and says that he does so “to track her usage statistics.” This makes more sense). Someone wouldn’t “break through his encryption software;” he or she would attempt to penetrate Alif’s firewall. The same would-be intruder leaves after “executing Pony Express, a trojan Alif had hidden in what looked like an encryption glitch.” I don’t know what “an encryption glitch” means here, and I don’t think the author does either.

Alif notes that, in the Arab Spring, “the digital stratosphere became a war zone. The bloggers who used free software platforms were most vulnerable.” If anything, open-source software should be less vulnerable, because well-known open-source software systems won’t have obvious backdoors (because they’d be found) and they have the advantage of many eyes on their source code. There’s an equally jarring moment when Alif says that he’s written a piece of software in “C++. But the type system is soft of—new. I’ve made a lot of modifications.” But he probably is referring to whether it’s dynamically or statically typed—that is, checking whether a program’s internal variables and other values are computable and safe when the program is run or when it’s compiled. It isn’t clear why Alif would change C++’s type system. At another moment, Alif worries that a malevolent, governmental entity is watching him: “The Hand would see Alif using his e-mail and cloud computing accounts, but until he could crack his algorithm, Alif would appear to be working from Portugal, Hawaii, Tibet.” The phrase “crack his algorithm” is meaningless here. “Cloud computing” is the kind of term marketers use; programmers or hackers would probably say “servers.”

These kinds of persistent, distracting errors detract from the story and the novel’s realism. It might seem strange to discuss realism in a book that features Djinn, vampires, and other supernatural elements, but any writer still has a duty to get the language of the “real” or mundane world right. Wilson doesn’t, and that makes the whole novel feel fake when it shouldn’t. In The Name of the Rose, religious language and medieval thought infuse every line, even when contemporary philosophical ideas are being expressed through the language of the time. Eco knows the period like Wilson doesn’t know the language of hackers, programmers, and computer science. I’m not an expert, but I’ve read enough in the field to understand what she misses.

Still, there’s a sense of hidden knowledge that runs throughout Alif the Unseen, and a melding of old ideas with new technology. That’s an appealing idea, and so is the idea of an Arab Golden Compass. It’s got some religious elements that could come from The Name of the Rose. Much of the writing is skillful if not particularly memorable. Funny moments appear: Vikram the Vampire, on hearing one of Alif’s schemes, says, “I don’t want foreigners involved in my business. Jinn are one thing but I draw the line at Americans.” Such moments are just not common enough to merit reading this book over something better, like The Golden Compass or Gillian Flynn’s Gone Girl or Carlos Ruiz Zafon’s recent novels, all of which do language better.

Comment when you have something to say

August 4, 2012 By in Culture, ideas Tags: , , , , , , Leave a comment

By now it’s well-known that most Internet forums devolve over time, even when the people running the forum take concrete steps to avoid devolution. But the main problem is not necessarily the trolls who deliberately attempt to degrade the quality of the conversation. It’s low-quality comments that aren’t necessarily malicious or even mean-spirited but do reflect shallow knowledge. Not only that, but such comments are often designed to appeal to groupish belief or to raise the status of the commenter, rather than sharing information and asking genuine questions.

Kens offered this insightful observation on HN:

My theory (based on many years of Usenet) is that there are three basic types of online participants: “cocktail party”, “scientific conference”, and “debate team”. In “cocktail party”, the participants are having an entertaining conversation and sharing anecdotes. In “scientific conference”, the participants are trying to increase knowledge and solve problems. In “debate team”, the participants are trying to prove their point is right.

Unfortunately, the people in scientific conference mode attract the cocktail people, but the latter don’t tend to attract the former. Debate team-types tend to be attracted to both—they’re the people exhibiting groupish and status-based behavior. In HN land, I’m probably closer to cocktail mode people than the scientific conference mode people, though I want to act more like a conference person.

Still, it’s worth looking more carefully at what the scientific conference-mode means. I don’t think scientific conference means a literal presentation of new results, but I think it does mean that the people commenting are deeply informed, deeply curious, reasonably respectful, and work to speak from a position of knowledge, rather than ignorance, about a subject. In this sense I fit the scientific conference mode when I discuss a small but real number of issues related to teaching, urban planning / development, and grant writing / government practices. The second one relates least to my day-to-day life but is a personal interest about which I’ve read a fair amount. Towards this end, I suspect a lot of people could improve the quality of the conversation simply by not commenting.

I distill this general idea to a simple behavior heuristic that might be valuable to others: don’t comment unless you have a special, unusual, or well-informed viewpoint. Many of my comments link to books and/or articles I’ve read that elaborate on whatever point I’m making or trying to make (here’s one example, linking to Bryan Caplan’s Selfish Reasons to Have More Kids, and here’s another, citing Edward Glaeser’s The Triumph of the City; in response to the second, someone even said, “I got these books simply because of this recommendation,” which makes me feel warm and fuzzy inside). Some of the ideas contained in the books or articles I cite might be wrong or badly argued, but at least I’m basing my comments on something specific rather than some general philosophical point. Too many people argue based on first principles or unsourced speculation. The latter isn’t always bad; for example, someone might work in a field and know something deep and important about it without having a link to a specific discussion of the idea being discussed.

Many of my comments that don’t link to books or articles still deal with specific issues in which I have above average expertise, knowledge, or experience. This comment discusses how I deal with a student who asks a question relating solely to his or her individual issue in a large group without sounding like a jerk (I think, anyway), this comment is about a specific product I’ve used (the Unicomp Customizer), and this comment is about specificity in writing and thinking. Again, I might be wrong, but in each case I’m writing based on experience.

You can find some exceptions to the principles I’ve discussed above. You should ask logical or reasonable follow-up questions, especially if you’d like more information (here’s one sample; here’s another.) Succinct is often beautiful. Focus on genuine questions, rather than challenging people because their beliefs don’t match yours.

You don’t always have to follow these rules—I don’t—but if you’re debating about whether you should post a comment, you should probably err on the side of silence and not intruding on other people’s time. Unfortunately, the kind of people who most need such internal self-restraint are probably also the ones least likely to use it, and I doubt anything can be done to solve this problem, which seems like a variant of the Dunning-Kruger Effect.

Despite all this, I don’t see a solution to the fundamental problems, at least beyond the person at the margin who might read this and change his or her behavior slightly.

In other words, one can appeal to community rules and norms, or resort to meta-posts (like this one).* Such an appeal shouldn’t be done too often, or a community will spend more time discussing its own rules and norms than it does discussing and reading the material that should be the purpose of its existence (I last wrote a post like this in January; that January post still seems relevant, but I feel like enough time has passed and that I’ve observed enough behavior to make this post relevant too). But perhaps the occasional reminder will, as I said, help at the margins.

Oh, and the other rule for commenting? When you’re done with substantive content, stop.

* Granted, these kinds of posts and comments can make a community deteriorate. For example, there are a set of overly long comments by jsprink_banned and josteink that fail to distinguish between an argument and how the argument is presented: I suspect they’re unhappy with the mod functions mostly because they haven’t focused on how an argument is delivered. Civility counts for a lot, at all levels of debate; see, for example, Tyler Cowen’s comments on civility and Paul Krugman (and his comments on the limits of binary, good versus evil thinking in general).

There are also comments like this, in which the poster argues from nothing, attempts to activate an anti-corporate ideology, and ignores the obvious, abundant evidence of the continued importance of firms. Alex-C, fortunately, did reply: “I almost can’t tell if this comment came from some sort of Markov text generator.” HN used to have many fewer of those kinds of comments, and when it did get those kinds of comments, they were much less likely to rise. It takes more effort than it should for me not to respond to them directly. Incidentally, the comment Alex-C was replying to meant to say something like this.