Cars and generational shift

In The Atlantic, Jordan Weissmann asks: Why Don’t Young Americans Buy Cars?. He’s responding to a New York Times article about how people my age don’t want or like cars. The NYT portrays the issue as one of marketing (“Mr. Martin is the executive vice president of MTV Scratch, a unit of the giant media company Viacom that consults with brands about connecting with consumers.” Ugh.) But I don’t think marketing is really issue: the real problem is that we’ve reached the point where cars suck as a mode of transportation for the marginal person.

Until the 1990s, car culture made sense, to some degree: space was available, exurbs weren’t so damn far from cities, and traffic in many cities wasn’t as bad as it is today. By now, we’ve seen the end-game of car culture, and its logical terminus is Southern California, where traffic is a perpetual nightmare. Going virtually anywhere can take 45 minutes or more, everyone has to have a car because everyone else has a car, and cars are pretty much the only transportation game in town. Urban height limits and other zoning rules prevent the development of really dense developments that might encourage busses or rail. In Southern California, you’re pretty much stuck with lousy car commutes—unless you move somewhere you don’t have to put up with them. And you’re stuck with the eternal, aggravating traffic. Given that setup, it shouldn’t surprise us that a lot of people want to get away from cars (I’ve seen some of this dynamic in my own family—more on that later).

The hatred of traffic and car commuting isn’t unique to me. In The New Yorker, Nick Paumgarten’s There and Back Again: The soul of the commuter reports all manner of ills that result from commuting (and, perhaps, from time spent alone in cars more generally):

Commuting makes people unhappy, or so many studies have shown. Recently, the Nobel laureate Daniel Kahneman and the economist Alan Krueger asked nine hundred working women in Texas to rate their daily activities, according to how much they enjoyed them. Commuting came in last. (Sex came in first.) The source of the unhappiness is not so much the commute itself as what it deprives you of. When you are commuting by car, you are not hanging out with the kids, sleeping with your spouse (or anyone else), playing soccer, watching soccer, coaching soccer, arguing about politics, praying in a church, or drinking in a bar. In short, you are not spending time with other people. The two hours or more of leisure time granted by the introduction, in the early twentieth century, of the eight-hour workday are now passed in solitude. You have cup holders for company.

“I was shocked to find how robust a predictor of social isolation commuting is,” Robert Putnam, a Harvard political scientist, told me. (Putnam wrote the best-seller “Bowling Alone,” about the disintegration of American civic life.) “There’s a simple rule of thumb: Every ten minutes of commuting results in ten per cent fewer social connections. Commuting is connected to social isolation, which causes unhappiness.”

I doubt most people my age are consciously thinking about how commuting makes people unhappy, or how miserable and unpredictable traffic is. But they probably have noticed that commuting sucks—which is part of the reason rents are so high in places where you can live without a car (New York, Boston, Seattle, Portland). Those are places a lot of people my age want to live—in part because you don’t have to drive everywhere. Services like Zipcar do a good job filling in the gap between bus/rail and cars, and much less expensively than single-car ownership. In my own family, it’s mostly my Dad who is obsessed with cars and driving; he’s a baby boomer, so to him, cars represent freedom, the open road, and possibility. To me, they represent smog, traffic, and tedium. To me, there are just too damn many of them in too small a space, and that problem is only going to get worse, not better, over time.

(For more on cities, density, and ideas, see Triumph of the City, The Gated City, and Where Good Ideas Come From.)

Not disappeared, just traveling:

I hate these kinds of posts, but here goes: I haven’t disappeared. I’ve just been traveling, first to New York then to the International Society for the Study of Narrative’s conference (hence “How to keep your customers happy on planes“). Said conference demanded a paper, which I’ve spent all my literary energies on that paper, rather than the usual blog posts, and academic tomes are dense and time-consuming, which cuts into “normal” reading time.

In other words: blah, blah, blah; normal posting to resume shortly.

How to keep your customers happy on planes:

. . . give them two little bottles of gin when they’re expecting one. I know I complain a lot about the horror and tedium of contemporary air travel, so I should give credit where it’s earned—in this case, by American Airlines.

The meanest thing I’ve ever said

Someone asked, and I thought about it for a while: what makes a comment really mean? Context counts: strangers can say cruel stuff that should roll off, because you can’t take everything said by a random asshole seriously—especially on the Internet. Accuracy should count too: people who say mean but obviously false things can be laughed off, so mean things probably need to have enough truth to sting; they could be untrue but the sort of thing you’re worried about being true. Especially from people who know you well. Power dynamics might count too: a nasty comment from a boss or advisor might count for more than one from a peer.

With those parameters in mind, when I was an undergrad I was hanging out a party and this girl who was, uh, not conventionally attractive, began doing a mock strip-tease (I think / hope it was “mock,” anyway). One or two guys offered her dollar bills, and then she came over to me, and I said, extremely loudly, that I’d only pay her to keep her clothes on. The other guys laughed, but she looked like I’d just murdered her puppy.

I was mostly being funny. But women are used to being pursued and having sexual power over men; when they don’t, and when they have their lack of sexual power pointed directly observed, they become extremely upset in a way that I suspect most guys are used to (this is part of Norah Vincent’s point in the fourth chapter of Self-Made Man). This was around the same time I realized that being inured to a woman’s attractiveness yields the paradoxical-seeming result of being more successful with women. And I was realizing how many women are susceptible to status plays in sexual marketplace value, especially if they’re worried that theirs is low. An astonishing large number are. The mean thing is using this kind of status play on someone who isn’t conventionally attractive.

The meanest thing I've ever said

Someone asked, and I thought about it for a while: what makes a comment really mean? Context counts: strangers can say cruel stuff that should roll off, because you can’t take everything said by a random asshole seriously—especially on the Internet. Accuracy should count too: people who say mean but obviously false things can be laughed off, so mean things probably need to have enough truth to sting; they could be untrue but the sort of thing you’re worried about being true. Especially from people who know you well. Power dynamics might count too: a nasty comment from a boss or advisor might count for more than one from a peer.

With those parameters in mind, when I was an undergrad I was hanging out a party and this girl who was, uh, not conventionally attractive, began doing a mock strip-tease (I think / hope it was “mock,” anyway). One or two guys offered her dollar bills, and then she came over to me, and I said, extremely loudly, that I’d only pay her to keep her clothes on. The other guys laughed, but she looked like I’d just murdered her puppy.

I was mostly being funny. But women are used to being pursued and having sexual power over men; when they don’t, and when they have their lack of sexual power pointed directly observed, they become extremely upset in a way that I suspect most guys are used to (this is part of Norah Vincent’s point in the fourth chapter of Self-Made Man). This was around the same time I realized that being inured to a woman’s attractiveness yields the paradoxical-seeming result of being more successful with women. And I was realizing how many women are susceptible to status plays in sexual marketplace value, especially if they’re worried that theirs is low. An astonishing large number are. The mean thing is using this kind of status play on someone who isn’t conventionally attractive.

An actual text message conversation:

Me: “He is the Balrog and you are Gandalf. You can only feel as bad as you let him make you feel.”

Heather: “Does that mean I can approach him wielding a giant staff?”

Me: “And gland ring.” [Pause.] “Glamdring! Stupid auto correct.”

H: “Gland ring? That sounds like something from a sex shop ha ha.”

Me: “Elves forge swords and dwell simultaneously on both sides, they don’t run sex shops, which is a purely Bywater pastime.”

(Link added for the purposes of this post.)

I’m declaring library bankruptcy

The University of Arizona wants its books back, and many of them have been renewed three or more times and have been squatting in my apartment for more than a year. It’s time to declare library bankruptcy and admit to myself that many of the worthy books towards which I once had such noble and good intentions simply aren’t going to get read:

(I scrounged up a few others, too, because library books proliferate like bad ideas on the Internet if you’re not fastidious about corralling and curtailing them.)

I could imagine some of them being checked out again—the ones about Hollywood novels, or J. Hillis Miller’s work. But Critical Essays on Melville’s Pierre seems like an unlikely choice, and in the immediate future I still have lots of books I’ve picked up from libraries or friends, or been sent by publishers (thanks, publishers!), or that I need to read for exams or my own work. This stack feels a bit like failure, but sending it back also feels like the proverbial fresh.

Have you declared library bankruptcy before? If so, how’d it go?

Even sending back books I know I’m likely to read feels curiously bad, like I’m quitting a race three quarters through.

I'm declaring library bankruptcy

The University of Arizona wants its books back, and many of them have been renewed three or more times and have been squatting in my apartment for more than a year. It’s time to declare library bankruptcy and admit to myself that many of the worthy books towards which I once had such noble and good intentions simply aren’t going to get read:

(I scrounged up a few others, too, because library books proliferate like bad ideas on the Internet if you’re not fastidious about corralling and curtailing them.)

I could imagine some of them being checked out again—the ones about Hollywood novels, or J. Hillis Miller’s work. But Critical Essays on Melville’s Pierre seems like an unlikely choice, and in the immediate future I still have lots of books I’ve picked up from libraries or friends, or been sent by publishers (thanks, publishers!), or that I need to read for exams or my own work. This stack feels a bit like failure, but sending it back also feels like the proverbial fresh.

Have you declared library bankruptcy before? If so, how’d it go?

Even sending back books I know I’m likely to read feels curiously bad, like I’m quitting a race three quarters through.

"Why do you write about books?"

A friend asked the question that formed the title of this post, and I gave her a half-formed answer. I’d like to give a three-quarter-formed answer, since I don’t think anyone can get more than maybe 90% of the way to one:

1) The most obvious and true answer is fairly high level and not useful: I like doing it. People who like doing something tend to do it, and I suspect the doing it will, over time, make them better at it. The leading practitioners in virtually any field appear to really like what they’re doing. Although I won’t call myself a leading practitioner of book blogging, doing it probably makes me a better writer than I’d be otherwise. Judging by search engine traffic and the number of subscribers, at least some number of people find this blog useful.

2) To work through my own sense of what works and doesn’t in novels. If you’re a novelist or would-be novelist, a lot of your criticism says as much about your own aesthetics and ideas as it does about the works you’re discussing. In The Shadow of the Wind, Nuria Monfort says, “Julián had once told me that a story is a letter the author writes to himself, to tell himself things that he would be unable to discover otherwise.” That’s also true of many bloggers.

3) To figure out what I really think about a book. One often learns by writing. This is (part of the reason) why schools assign essays and why academics are required to publish. When you write, you don’t merely record what you already think; you discover new things that you didn’t think, or didn’t realize that you thought. Think of Paul Graham in “The Age of the Essay:” “Expressing ideas helps to form them. Indeed, helps is far too weak a word. Most of what ends up in my essays I only thought of when I sat down to write them. That’s why I write them.”

4) To help other people figure out what they should read or use and why. My biggest challenge these days is probably finding enough time to read things I want to read. Related to that challenge is deciding what’s worth reading. Other people’s blogs and sites and advice help me with this, so I’d like to help others in turn. I can read an 800-word book review in a couple minutes. A 300-page book takes much longer, if it’s even worth trying. The magazine n+1 published an interesting and wrong piece called “Against Reviews that says, “[O]ur lives will end, sooner than we think, and our youth is already almost over. The self is not a renewable resource. If we wouldn’t describe a book to someone we wanted to sleep with, we shouldn’t write about it. It is time to stop writing—and reading—reviews. The old faiths have passed away; the new age requires a new form.” To me, this is an argument for book reviews: to save us from ourselves.

5) So I can have a ready made identity. “What have you been up?” people ask me, as I’m sure they ask you. I’m not so gauche as to say, “check out jseliger.wordpress.com and you’ll know,” but if someone does really want to understand what makes me tick better, they can find out pretty quickly.

In looking over those reasons, I notice that a lot of the answers center around personal reasons. I hadn’t really realized that most of my reasons for writing this blog were personal until I tried to articulate them. That’s an example of number three in action, right now, as I write.

Why do you read about books?

How being in Huntington Beach is affecting my thinking

John Scalzi on San Diego:

I say to myself, hey, I wonder what’s going on in the rest of the world.

Then I look around me and go, why the fuck should I care what’s going on in the rest of the world?

This is how I feel about Huntington Beach, where I’ve been for the last week. The temperature is a steady 75. The shore is maybe 800 meters from the door. Girls don’t wear much clothing. Drinks aren’t too expensive, considering. I feel like I should learn how to play the guitar. One great advantage over Tucson and Phoenix: virtually no driving.

It might be for the best that I didn’t get into graduate school at UC Santa Barbara. I could imagine the temptation: go to the beach or work on the dissertation? Beach, or dissertation? Beach, or. . . what? I can’t hear myself over the sound of the waves.