Thoughts on “Hot Girls Wanted,” the Netflix documentary

Is it a sign of getting older that, more than seeing the hot girls featured be nude, I want to see them take economics, psychology, and human sexuality classes? I’m not ideologically or otherwise opposed to porn—quite the opposite, actually—but I am opposed to ignorance and Hot Girls Wanted is arguably about that subject, rather than its putative subject. The girls followed remind me of my least sophisticated students and do not seem to have a sense of future (or life trajectories) or past (and where their industry comes from). Often on this blog I write about the perils of academia, but if this is the alternative then academia looks really, really good. Ignorance has tremendous costs and rarely are those costs made as stark as they are in Hot Girls Wanted.

That being said, I wish the filmmakers had asked more questions about what these girls would otherwise be doing. What’s their opportunity cost? At what margin are they operating? They are getting paid for what they do, and from what I’ve heard, usually after a couple drinks, from women I know who’ve been in adjacent industries the college hookup scene is often not much better or more satisfying than getting paid.

hot_girls_wantedThe New York Times (and similar publications) has a trope: some Bad Trend occurs and then the writer adds, “Women and minorities hurt most.” Hot Girls Wanted deploys a similar frame; although perhaps being a porn actress is for many women not the world’s best job, it is possible for straight women to have straight sex on camera and make a lot of money, which isn’t even an option available to the vast majority of men. How many attractive 18- and 19-year-old guys would love to make a couple hundred or thousand dollars to have sex on camera? I haven’t done a formal study but let me guess “a lot.” Yet those jobs don’t or barely even exist. Having an option to trade heterosexual sex for money is still valuable, even if the makers of Hot Girls Wanted disapprove and/or think women don’t really have the agency necessary to consent to the job.

To me the girls seem sad not because they’re doing porn, exactly, but because they’re ignorant and don’t understand what they’re doing. How was their relationship with their high school teachers? My reactions to them doing porn would actually be similar if they were doing, say, currency trading: The people on the other ends of the trade are not there to help them. If you want to trade currency you really need to understand what you’re doing. Failure to know will have real consequences. Porn is similar in this way.

Hot Girls Wanted could be compared and contrasted with Belle de Jour’s work. Both are about women in sex work but the tones couldn’t be different. Belle de Jour already had gone through British undergrad. She was (and probably is) an intense reader. She knew much better what she was doing when she started working.

There are intelligent, empowered ways of being in the industry depicted in Hot Girls Wanted, but they are not evident here. It is at best very difficult to protect people from being from themselves, and attempting to do so usually has distortionary outcomes in other areas that make the protection itself not worthwhile. Arguably much of the sexual revolution since the 1960s is a demonstration of this, and we’re now seeing the outcome in terms of family and economic structure (link goes to Robert Putnam’s latest book). The wonk-o-sphere is abuzz about family structure issues but I wonder how many, if any, wonk-o-sphere members will connect them to Hot Girls Wanted. People want what they want and the elite pundit class, left, right, and Alpha Centauri is maybe not good so good at understanding or emphasizing this.

You will not learn much from Hot Girls Wanted. That said I don’t regret watching and my interest did not waver.

Links: Wasting time, counterintuitive claims, technology won’t fix education, population problems, the modern laptop, and more

* “Why do people waste so much time at the office?

* From “The department of unintended consequences:” “It turns out that generous maternity leave and flexible rules on part-time work can make it harder for women to be promoted — or even hired at all.” Basic economics holds that making something more expensive means less of it is consumed.

* Why Technology Will Never Fix Education.”

* “The Invented History of ‘The Factory Model of Education,’” which is news to me and fascinating throughout.

* An obvious point, but, a story about how people can’t be saved from themselves. In this post I wrote, “It is very hard, if not impossible, to fix most broken people.” Penelope Trunk tried, and failed.

* “Ashley Madison: Is infidelity a billion-dollar business?

* Tugg: A Kickstarter-like method for getting Indie movies in theaters. Brilliant.

* “Germany passes Japan to have world’s lowest birth rate;” the real problem in the developed world is underpopulation, not overpopulation.

* Tech billionaires aim for cheaper spaceflight.

* Someone found this blog by searching for “do musicians get laid alot.”

* The creation of the modern laptop:

Pick up your laptop. Actually, scratch that—read this paragraph first, then pick up your laptop. You are holding one of the most advanced machines ever built in the history of humanity. It is the result of trillions of hours of R&D over tens of thousands of years. It contains so many advanced components that there isn’t a single person on the planet who knows how to make the entire thing from scratch. It is perhaps surprising to think of your laptop as the pinnacle of human endeavour, but that doesn’t make it any less true: we are living in the information age, after all, and our tool for working with that information is the computer.

I use an iMac. Point stands, though, and the iMac’s screen is incredible.

* An interview with Tim Parks.

* On food culture, an interview in which Rachel Laudan points out that industrialized agriculture allows us to live the way we live now, and to romanticize inefficient processes.

Kelly: More than My Share of It All — Clarence L. “Kelly” Johnson with Maggie Smith

Kelly: More than My Share of It All comes by way of Paul Graham and I see why Graham likes it: Kelly is the sort of person who barely exists anymore. Kelly worked on numerous important aerospace engineering projects from World War II into the 1970s, and he oversaw vital projects like the SR-71 Blackbird and the U-2 Reconnaissance plane—both of which were major innovations. In an era of the totally fucked up F-35 and numerous similar systems, it’s shocking to read about genuinely innovative projects completed on time and sometimes even under budget. It’s shocking too to read about someone who sounds like a person rather than a bureaucrat, and who argues for responsibility instead of buzzwords:

There is a tendency today, which I hate to see, toward design by committee—reviews and recommendations, conferences and consultants, by those not directly doing the job. Nothing very stupid will result, but nothing brilliant either. And it’s in the brilliant concept that a major advance is achieved.

kellyAt the time Kelly worked, large aerospace and related companies acted like Google or Apple do today—perhaps because their founders still ran them. Kelly writes about how he once “telephoned Walter Baird [of the Baird Atomic Company] personally since he and I had worked together on a number of other Skunk Works projects. He immediately agreed to pick up his end of the log.” A direct call to a decision maker is often an improvement over hundreds of hours of committee bullshit. Many people know this intuitively but many systems, in universities and business, have run to committee. Kelly writes, “I fear that the way I like to design and build airplanes one day may no longer be possible.” In that sentence I think he should have “may” before “one,” but the important point remains: that day has arrived.

One could profitably read this book next to Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future. Musk is a Kelly-like figure, and, together with Zero to One, Kelly tells a story about how large swaths of the nominal technology sector have become sclerotic. Every single person working on the F-35 should be required to read Kelly. But the people at the top of fat and lax military-industrial companies are already getting theirs.

The sense of differences extends to Kelly’s university experience, where he writes that “The professors were broadminded people, with interests and contacts outside the university. They took a personal as well as professional interest in their students.” Today “a personal as well as professional interest” leaves professors open to university politics and sexual harassment claims. Money is tighter; he writes of how the University of Michigan built a wind tunnel and let Kelly operate it part time. He says, “The money didn’t mean anything to the university; renting the tunnel afforded them a chance to see what the students could do.” Money today means a lot to universities, and the faculty seem powerless to reverse that trend.

Kelly and Kelly are about taking reasonable risks with good cost-to-payoff ratios. Risk does imply the possibility of failure, though, and reasonable failure isn’t tolerated in many big institutions. That may help explain why startups are so important, why much innovation happens on the Internet, and why Amazon.com’s ebook systems are so important for writers. Much of Kelly is not written particularly well, but the larger points it makes make it a fascinating historical document anyway, and a reminder of what can be accomplished by determined people in systems that let them succeed.

“Have We Learned Anything From the Columbia Rape Case?” Not at the New York Times

In “Have We Learned Anything From the Columbia Rape Case?” Emily Bazelon mostly answers “no.” I would very slightly answer “yes,” but in a way contrary to her reading: We’ve mostly learned that colleges are not set up (and should not be set up) to investigate and prosecute serious crimes. We have police and prosecutors for that. Those systems have their problems, but they exist to balance fairness and justice.

University judicial panels are good for relatively minor issues like plagiarism or smoking weed or being a jerk to a roommate. They’re terrible for serious crimes. Bazelon writes, “As universities scramble to improve their disciplinary processes…” as if it’s a foregone conclusion that they should be adjudicating serious crimes. Universities should improve their disciplinary processes… by referring cases to police, rather than setting up kangaroo courts.

Oddly, the general issue was covered in a round of articles from last year, which I wrote about here; little seems to have changed since. I wonder too how much time and money universities spend on these issues, rather than on, say, education. Maybe it’s time for universities to see their housing functions as too great an institutional liability and to shed them, since much of the controversy appears to be linked to university-owned housing.

Links: Greenspun on Krakauer, Tesla and hope, shadow workers, Camille Paglia and Sexual Personae, and more!

* Philip Greenspun’s non-standard reading of Jon Krakauer’s book Missoula: Rape and the Justice System in a College Town, which says more about economics than about its putative subject.

* With Tesla Entering Market, Hopes for Home Batteries Grow.

* “Elon Musk’s Space Dream Almost Killed Tesla,” but really the first sentence is the true winner: “In late October 2001, Elon Musk went to Moscow to buy an intercontinental ballistic missile.”

* “Don’t Be So Sure the Economy Will Return to Normal,” from Tyler Cowen, an unusual perspective, as always. See also my 2013 discussion of his book Average is Over.

* “Are You a Shadow Worker?” Social site moderators are, which is one reason they are often so bad.

* No one should condescend to Agatha Christie – she’s a genius.

* Andrew Ng: “Inside The Mind That Built Google Brain: On Life, Creativity, And Failure,” which is brilliant throughout; I note this: “When I talk to researchers, when I talk to people wanting to engage in entrepreneurship, I tell them that if you read research papers consistently, if you seriously study half a dozen papers a week and you do that for two years, after those two years you will have learned a lot. This is a fantastic investment in your own long term development.”

* “GMO Scientists Could Save the World From Hunger, If We Let Them.”

* “Austin, Texas, Is Blowing Away Every Other Big City in Population Growth.”

* “‘Everything in the world is about sex:’ Twenty-five years after its publication, Camille Paglia’s Sexual Personae is still an energising ‘cultural bible.’” I read it a couple years ago and it’s now among the books I cite most frequently, though its earlier chapters are better than its later ones.

Two visions for the future, inadvertently juxtaposed: Nell Zink and Marc Andreessen

Last week’s New Yorker inadvertently offers two visions for the future: one in a profile of the writer Nell Zink and the other in a profile of the venture capitalist Marc Andreessen. Both profiles are excellent. One of their subjects, however, is mired in a fixed, contemporary mindset, while the other subject looks to a better future.

This is Schultz’s description of Zink: “Zink writes about the big stuff: the travesty of American apartheid; the sexual, economic, and intellectual status of women; the ephemerality of desire and its enduring consequences.” Is any of that stuff really big? Does it matter? Or is it just a list of somewhat transitory issues that obsess modern intellectuals who are talking to each other through magazines like The New Yorker? The material well-being of virtually any American is so much higher than it was in, say, 1900, as to diminish the relative importance of many of the ideas Zink or Schultz considers “big.” At one point Zink “delivered a short lecture on income stagnation: a bird ridiculing its fellow-bird for stupidity.” But global inequality is falling and, moreover, the more interesting question may be absolute material conditions, rather than relative ones. One gets the sense that Zink is a more parochial thinker than she thinks. I sense from The Wallcreeper that she writes about the motiveless and pathless.

Here, by contrast, is Andreessen as described by Tad Friend:

Andreessen is tomorrow’s advance man, routinely laying out “what will happen in the next ten, twenty, thirty years,” as if he were glancing at his Google calendar. He views his acuity as a matter of careful observation and extrapolation, and often invokes William Gibson’s observation “The future is already here—it’s just not very evenly distributed.” Jet packs have been around for half a century, but you still can’t buy them at Target.

and:

The game in Silicon Valley, while it remains part of California, is not ferocious intelligence or a contrarian investment thesis: everyone has that. It’s not even wealth [. . . .] It’s prescience. And then it’s removing every obstacle to the ferocious clarity of your vision: incumbents, regulations, folkways, people. Can you not just see the future but summon it?

Having a real vision counts, and it seems that too few people have a vision for the future. Andreessen is thinking not of today but of what can be made better tomorrow. I would not deny the impact of slavery on contemporary culture or the importance of desire on life, but I would ask Zink: if the U.S. is doing things poorly, who is doing them better? And if the U.S. is doing things poorly why then is Silicon Valley the center of the future?

One of these people reads as an optimist, the other as a pessimist. One reads as someone who makes things happen and the other as someone who complains about things that other people do. One reads as a person with a path. The other doesn’t.

Don’t get me wrong. I liked The Wallcreeper when I read it a couple months ago. I didn’t have much to say about it on this blog because it seems kind of interesting but left me without much feeling. But I can’t help thinking that Andreessen’s vision for the future is big, while Zink’s vision of the present is small.

As a bonus, check out “All Hail the Grumbler! Abiding Karl Kraus,” which is poorly titled but describes Jonathan Franzen’s relationship to art, technology, and other matters. He’s in the Zink school; perhaps something about studying German inculcates an anti-technology backlash among writers, since Germany and the U.S. are both among the most technophilic societies in the world (for good reasons, I would argue). From the article:

Kraus’s savage criticism of popular newspapers, suspicion of technology, and defense of art all appeal to Franzen, whose nonfiction essays strike similar notes. For instance, in the spirit of Kraus, Franzen has attacked the intrusiveness of cellphones and the loss of private space as people bark out the dreck of their lives.

But even “privacy” is a relatively new idea: being alone to read books only really got going in the 18th Century, when books got cheap enough for normal people to borrow them from libraries. The luddites of the day lamented the withdrawal from the private sphere into onanistic privacy. They asked: Why wrap yourself in some imaginary world when the big real world is out there?

As you may imagine I’m more neutral towards these developments. Like many literary types I think the world would be a better place with more reading and less reality TV, but I’ll also observe that the kind of people who share that view are likely to read this blog and the kind of people who don’t aren’t likely to give a shit about what I or anyone like me says.

Much later in the essay its author, Russell Jacoby, writes: “Denouncing capitalist technology has rarely flourished on the left, which, in general, believes in progress.” I get what he’s saying, But denouncing technology in general has always been a fool’s game because a) pretty much everyone uses it and b) to the extent one generation (or a member of a generation) refuses a given technology, the next generation takes it up entirely. Franzen may not like technology circa 2015 but he is very fond of the technology of the printing press. At what point does Franzen think “good” technology stopped?

I’m reminded, unfairly perhaps, of the many noisy environmentalists I’ve known who do things like bring reusable bags to grocery but then fly on planes at least a couple times a year. Buy flying pollutes more than pretty much anything anyone else does. A lot of SUV-drivers living in exurbs actually create less pollution than urban cosmopolitans who fly every two months. By the same token, the same people who denounce one set of technical innovations are often dependent on or love some other set of technical innovations.

Almost no one wants to really, really go backwards, technologically speaking, in time. Look at behaviors rather than words. I do believe that Franzen doesn’t use Facebook or write a blog or whatever, but he probably uses other stuff, and, if he has kids, they probably want smart phones and video games because all their friends have smart phones and video games.

I’m not saying smart phones and video games are good—quite the opposite, really—and I’m sympathetic to Zimbardo’s claim that “video games and porn are destroying men.” But I am saying that the claims about modern technology doing terrible things to people or culture goes back centuries and has rarely if ever proven true, and the people making such claims are usually, when viewed in the correct light, hypocrites on some level. Jacoby does hit a related point: “Presumably, if enough people like SUVs, reality TV, and over-priced athletic footwear, little more may be said. The majority has spoken.” But I want to emphasize the point and say more about not the banal cultural stuff like bad TV (and obviously there is interesting TV) but the deeper stuff, like technology.

The Andreessens of the world are right. There is no way back. The only way is forward, whether we want to admit it or not. The real problem with our cultural relationship to technology—and this is a Peter Thielian point—is that we’re in denial about dependence, need, and the need to build the future.

Links: Tesla, women and dating, streets for humans, messy truth, Penelope Trunk, reading, and more!

* “Tesla Battery Economics: On the Path to Disruption,” one of these incredibly, shockingly important points that’s easy to miss.

* Why women lose the dating game at 30: Bettina Arndt listens to the other voices in this debate: the men. Maybe.

* Building streets for humans rather than cars could help solve the affordable housing crisis.

* Social Liberalism as Class Warfare—or, points that are too infrequently made.

* “Where Did Penelope Trunk Go Wrong?“, an excellent question though not well explored at the link. I unsubscribed from Trunk’s blog a while ago, though some of her older posts, like “Don’t go to grad school” and “How much money do you need to be happy? Hint: Your sex life matters more” are still excellent. She went from being contrarian and brilliant and willing to say shit other people won’t say to cruel. There is a fine line between speaking the messy truth and being an asshole.

* Why can’t we ready anymore? Long attention spans are one of my competitive advantages in consulting: see also “One of the Open Secrets of Grant Writing and Grant Writers: Reading.” I think attention control is an increasingly valuable job market skill; most of the programmers I know speak of it reverently too.

* Guantánamo Diary by Mohamedou Ould Slahi review – the global war on terror has found its true witness. We have seen the monsters and many are already inside the castle.

* “For the love of God, rich people, stop giving Ivy League colleges money.” The words “diminishing returns” aren’t used explicitly but are implied throughout.

* Adjunct teaching: “Treadmill to Oblivion.” Short version: Don’t go to grad school. But if you read this blog you should already know that.

Briefly noted: Men: Notes From an Ongoing Investigation — Laura Kipnis

Men is charming but inessential; like many essay collections it is better taken from a library than bought, though I bought and resold my copy. That being said the essays within were detailed, thoughtful, good on a sentence-by-sentence level, and made me re-evaluate almost of all of the subjects (like Larry Flynt or a movie I’d never heard of: House of Games.

The Flynt essay shows Kipnis being thoughtful and non-dogmatic:

[Hustler] was also far less entrenched in misogyny than I’d assumed. What it’s against isn’t women so much as sexual repression, which includes conventional uptight femininity, though within its pages, not everyone who’s sexually repressed, uptight and feminine is necessarily female: prissy men were frequently in the crosshairs too. In fact, Hustler was often surprisingly dubious about the status of men, not to mention their power and potency […]

men_kipnisThe ending of the essay is also excellent for reasons I’d rather not spoil: if John McPhee read this sort of thing, I could imagine him smile.

House of Games is not as visually compelling as it should be; the movie is ripe for a remaking because Kipnis is right about the script, and, as she says (perhaps without fully appreciating it):

Every woman adores a con man—to steal a page from Sylvia Plath. Especially one who knows you better than you know yourself, who looks into your eyes and reads your dirty secret desires, who knows what a bad girl you really are under the prim professional facade, and then takes you for everything.

Is it true? Maybe, for some values of “truth.” That said, not all of the sentences are true: “As we know, modern market societies require ambition, because they’re premised on social mobility, which is essential to a flourishing democracy.” All of those clauses are untrue: we don’t know what the sentence says we know; market societies don’t require ambition (they may sometimes reward the unambitious with a quasi-basic income, allowing them to do other things) and are based on giving people what they want, and democracy doesn’t necessarily mandate market societies, at least in theory. Most people, however, want More (defining “More” broadly), and democracies attempt on some level to give people what they want.

Like so many culture writers Kipnis is missing evolutionary biology, and the addition of it would make her even less politically palatable to the chattering set (already her essay “Sexual Paranoia Strikes Academe,” at the link and included in the collection, is accurate and contrary to Right Thinking and therefore all the more despised).

Kipnis complains about clichés, which is a good sign, but she’s still willing to use the word “problematic” (5), which is a bad sign. But the rest of the book is fun enough to make the bad sign ignorable.

Novelty, art, business

“[T]he most important task in business—the creation of new value—cannot be reduced to a formula and applied by professionals,” as Thiel says in Zero to One, which, if you haven’t read it, you should stop reading this post and go read it instead. Read properly it’s about art as much as business. The most important task in art may also explain why art schools bother us (sample: “Why Writers Love to Hate the M.F.A.?“): they take what might be successful master-apprentice relationships and make them professional—that is, more like consultants than like artists. Maybe the best consultants are artists.

There’s more evidence for this: Genre writers often bother literary writers, perhaps because genre writers tend to execute a formula rather than innovate (the word “tend” is key here). If genre writers do come up with a new formula, they tend to iterate on that formula rather than seeking to discover a whole new one; while this might be admired in science and to some extent business it rarely is by artists, who often value noble, large-scale failure over commercial success. It’s easier to scorn what people want than it is to give them what they want, or make what they want.

Many writers of literary fiction are attempting to be novel, though I would argue that most attempts, even those that are highly praised, are actually bad. They may be bad in a way likely to provide tenure for future English professors, but the badness remains, and it isn’t clear that MFA and related programs help inculcate the idea that the most important task is the creation of new value, which by definition can’t be foreseen ahead of time. If someone foresaw it, they would execute, and the value would be there. Unpredictability may also be why so many artistic careers are difficult: you don’t know if you’re really creating value until it’s too late. Efforts at standardization are futile. Value may not even be recognized in your lifetime. You really are Sisyphus. When I first read the core part of The Myth of Sisphyus, in high school, I thought it stupid, yet it remains with me because it touches something at the core of not just art but life.

As Jonah Lehrer wrote, “although we are always surrounded by our creations, there is something profoundly mysterious about the creative process.” That mystery exists across fields.

Life: The life of the artist edition

I lived for a considerable time with an older, extremely talented actress. She scorned my cleanliness theory and maintained that theatre is shit, lust, rage and wickedness. ‘The only boring thing about you, Ingmar Bergman,’ she said, ‘is your passion for the wholesome. You should abandon that passion. It’s false and suspect. It sets limits you daren’t exceed. Like Thomas Mann’s Doctor Faustus, you should seek out your syphilitic whore.

Perhaps she was right, perhaps it was all romantic drivel in the wash of pop art and shady drug scenes. I don’t know. All I know is that this beautiful and brilliant actress lost her memory and her teeth and died at fifty in a mental hospital. That’s what she got for expressing her feelings. (35)

—Ingmar Bergman, The Magic Lantern, which should be bad but isn’t. Consider it recommended. I think like the actress yet live closer to Bergman.

How many actresses have lived like the actress but not got what she got “for expressing her feelings?” Be reluctant to generalize from anecdote!

From 2015 many things stand out, among them corporal punishment, the prevalence of disease, the need to make music when it cannot be effectively recorded and played back at will, and relentless reading in a land without TV.