I mentioned Philip Pullman again as a contract to the execrable fantasy described here; I wrote about Pullman’s wonderful His Dark Materials trilogy here. Now I’ve come across an interview with Pullman. A sample:
“I had been thinking about the central question, which is the innocence and experience business, and the transition which happens in adolescence, for a long time. I’d been teaching children of the same age as Lyra, children who were themselves going through this physical, intellectual and emotional change in their lives. The biggest change we ever go through really.” Once, when I interviewed Pullman in front of a packed house at the National Theatre, he drew a big laugh when he explained what was so special about this age: “Your life begins when you are born, but your life story begins at that moment when you discover that you are in the wrong family.”
This article, like so many appearing now, is coming about thanks to the movie version of The Golden Compass. Originally I’d planned to watch, until critics panned it; the Seattle Times‘ review is typical, saying the movie “has a by-the-numbers feel to it.” In other words, the movie appears to be what the studio sought: a slot machine instead of a story, and by jettisoning the latter is also seems to have lost the former.