Jeff Ely’s Cheap Talk has one of those mandatory “Why I Blog” posts, but it’s unusually good and also increasingly describes my own feeling toward the genre. Jeff says:
There is a painful non-convexity in academic research. Only really good ideas are worth pursuing but it takes a lot of investment to find out whether any given idea is going to be really good. Usually you spend a lot of time doing some preliminary thinking just to prove to yourself that this idea is not good enough to turn into a full-fledged paper.
He’s right, but it’s hard to say which of the 100 preliminary ideas one might have over a couple of months “are worth pursuing.” Usually the answer is, “not very many.” So writing blog posts becomes a way of exploring those ideas without committing to attempting to write a full paper.
But to me, the other important part is that blogs often fill in my preliminary thinking, especially in subjects outside my field. I’m starting my third year of grad school in English lit at the University of Arizona and may write my dissertation about signaling and status in novels. My interest in the issue arose partially because of Robin Hanson’s relentless focus on signaling in Overcoming Bias, which got me thinking about how this subject works now.
The “big paper” I’m working on deals with academic novels like Richard Russo’s Straight Man and Francine Prose’s Blue Angel (which I’ve written about in a preliminary fashion—for Straight Man, a very preliminary fashion). Status issues are omnipresent in academia, as every academic knows, and as a result one can trace my reading of Overcoming Bias to my attention to status to my attention to theoretical and practical aspects of status in these books (there’s some other stuff going on here too, like an interest in evolutionary biology that predates reading Overcoming Bias, but I’ll leave that out for now).
Others have contributed too: I think I learned about Codes of the Underworld from an econ blog. It offers an obvious way to help interpret novels like those by Elmore Leonard, Raymond Chandler, and other crime / caper writers who deal with characters who need to convincingly signal to others that they’re available for crime but also need not to be caught by police, and so forth.
In the meantime, from what I can discern from following some journals on the novel and American lit, virtually no English professors I’ve found are using these kinds of methods. They’re mostly wrapped up in the standard forms of English criticism, literary theory, and debate. Those forms are very good, of course, but I’d like to go in other directions as well, and one way I’ve learned about alternative directions is through reading blogs. To my knowledge no one else has developed a complete theory of how signaling and status work in fiction, even though you could call novels long prose works in which characters signal their status to other characters, themselves, and the reader.
So I’m working on that. I’ve got some leads, like William Flesch’s Comeuppance: Costly Signaling, Altruistic Punishment, and Other Biological Components of Fiction and Jonathan Gottschall’s Literature, Science, and a New Humanities, but the field looks mostly open at the moment. Part of the reason I’ve been able to conceptualize the field is because I’ve started many threads through this blog and frequently read the blogs of others. If Steven Berlin Johnson is right about where good ideas come from, then I’ve been doing the right kinds of things without consciously realizing it until now. And I only have thanks to Jeff Ely’s Cheap Talk—it took a blog to create the nascent idea about why blogging is valuable, how different fields contribute to my own major interests, and how ideas form.
I’m honored to have inspired you, and your projects seems promising. Go for it! :)
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