May 2010 links: soap operas, Kindles, systems and stories, and more

* People’s lives are more like soap operas that most of us realize.

* I admire Jeffrey Lewis’ website.

* Peak everything? Not really.

* Academia isn’t broken. We are.

* The most popular passages highlighted in Kindle books. This is a fascinating yet creepy reminder of how much Amazon knows about you.

It also demonstrates the lousy taste most people have in books, with Dan Brown and someone named William P. Young at the top of the list. Young’s book, The Shack, is described as “a one of a kind invitation to journey to the very heart of God.” I’ll pass, thanks. The first book I see on the list that isn’t shlocky is Randy Pausch’s The Last Lecture, which you can (and should) also watch on YouTube.

* Comcast awarded the “Golden Poo” award as the worst company in America. This is doubly funny to me because my internet access comes through Comcast (because I have no other effective choice thanks to Qwest in Tucson offering anemic DSL speeds). A few weeks ago, a market research firm conducting a survey for Comcast called to ask what I thought of the company on a scale of 1 (worst) to 10 (best), and I kept saying “1… 1… 1…” over and over again. But I’m stuck with Comcast and its high prices because they have no real competitors.

* United States sovereign debt is the number one thing to fear right now. But almost no politicians are dealing with it in any way, let alone a realistic way.

* Systems and stories.

* Why don’t men read books? Or, as an alternate question, “It’s worth asking, then, why there are so few men in publishing. Could it be the low pay, low status and ridiculous hours?” (This is all in response to Jason Pinter’s essay).

* The Second Pass’s review of Martin Amis’ The Pregnant Widow. I’m probably going to pass—”Even in his best fiction—Money, London Fields—he has relied on narrative gimmicks and trickery to support creaky storylines, and The Pregnant Widow is no exception”—perhaps in favor of rereading Money.

Davidson also says that “Amis is famously fond of playful character names (which can be a weakness), and this novel is full of them: Pansy, Probert, Amen, Dilshak.” This probably isn’t a major problem for me, as I just finished Henry James’ The Golden Bowl for a grad seminar, and in that novel a character is named “Fanny Assingham,” with many plays on what said name could mean.

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