* Where are the Bicycles in Post-Apocalyptic Fiction?
* Sex in the Meritocracy: Performance anxiety, not hedonism, motivates Yale’s sexual culture.
* In Writing, First Do No Harm.
For TV I do not think upfront bingeing can become the norm. The model of “I don’t really care about this, but I have nothing much to talk to you about, so let’s sit together and drop commentary on some semi-randomly chosen TV show” seems to work less well when the natural unit of the show is thirteen episodes and you are expected to show dedication.
I hadn’t conceptualized TV this way, but the description is accurate and may explain the confusion, verging on horror, that people express when they register the absence of a TV in our apartment. I hesitate to include the previous sentence because I don’t want to become this guy and do use an iMac to watch TV sometimes. Nonetheless it is striking that so many people have so little to talk about.
* Joseph Gordon-Levitt turns the camera on paparazzi; they don’t like it.
If you have bigger lungs than your competitor, all things being equal, force them to compete in a contest where oxygen is the crucial limiter. If your opponent can’t swim, you make them compete in water. If they dislike the cold, set the contest in the winter, on a tundra. You can romanticize all of this by quoting Sun Tzu, but it’s just common sense.
* Cool news watch: the bulb discussed here: Switch LED bulb: The long-awaited light bulb is finally here. Is it worth $50? is now available.
* “The emergence of “YIMBY” [Yes In My Backyard] organizations in American cities would be a welcome counterpoint to the prevailing tides of NIMBYism that often dominate local government. But it is worth saying that broader institutional reforms are what’s really needed.”
* “Editing, Silvers advises me, is an instinct. You must choose writers carefully, having read all of their work, rather than being swayed by ‘reputations that are, shall we say, overpromoted’, and then anticipate their needs, sending them books and news articles.” Editing is also an act of sympathy: an editor needs to be sympathetic to the writer’s work. I would be a terrible editor of genre romance novels, and some of my friends have not cared much for my own writing out of taste.
* For writers, along with the above: “The Business Rusch: Hiring Editors,” which is a problem I’ve been thinking about and don’t know how to solve. She confirms, however, that it’s probably impossible for self-published writers to hire effective content editors. Line editors and copyeditors, yes, but not content editors. I can see writers’ groups becoming more important in an era of self-publishing.