* Paul Graham’s life story, under the header “What I worked on.”
* “How We Did It: Two new books flesh out the history of smut, from Etsy-like handicrafts to the sexy swamp of Tumblr.” On The People’s Porn: A History of Handmade Pornography in America and Ana Valens’ Tumblr Porn. How do they compare to Thy Neighbor’s Wife, one wonders? Or at least I did, but then I read the second one and it feels more like an extended Tumblr riff mixed with an undergrad term paper than a book.
* Cancel the New York Times, on the seeming narrowing of permissible opinion online. Maybe pseudonyms are the way to go online now, in which case I’m making a mistake right now.
* “France Sees an Existential Threat From American Campuses: Prominent politicians and intellectuals say social theories from the United States on race, gender and post-colonialism are undermining their society.” The growth of this from fringe campus nonsense to hitting real workplaces still surprises me, although I wonder also if we’re going to see workplace norms change too.
* On Patricia Highsmith. I read the biography, which seems well done, and Highsmith seems to have led a life of sex, booze, and writing, probably in that order.
* “Why did I leave Google or, why did I stay so long?” Not just the usual, and a statement of work as a paycheck versus work as changing the world.
* “Whatever the faults of overconfidence or contrarianism sometimes may be, it seems clear to me that spreading a society-wide message that the solution is to simply trust the existing outputs of society, whether those come in the form of academic institutions, media, governments or markets, is not the solution. All of these institutions can only work precisely because of the presence of individuals who think that they do not work, or who at least think that they can be wrong at least some of the time.” Things may be the way they are for reasons mostly good, but things can also be made better if enough people want them to be made better.
* “I helped build ByteDance’s censorship machine.” ByteDance is the parent company of TikTok.
* Effort. It’s usually underestimated and underappreciated. Relatedly, it’s far easier to “comment” or “critique” than it is to make things. I sometimes like to think of it as the distinction between consuming and producing; many people find the move from school to the real world challenging because that’s also a move from a consumption-based world to a production-based world.