My novel The Dead Zone arose from two questions: Can a political assassin ever be right? And if he is, could you make him the protagonist of a novel? The good guy? These ideas called for a dangerously unstable politician, it seemed to me—a fellow who could climb the political ladder by showing the world a jolly, jes’-folks face and charming the voters by refusing to play the game in the usual way. (Greg Stillson’s campaign tactics as I imagined them twenty years ago were very similar to the ones Jesse Ventura used in his successful campaign for the governor’s seat in Minnesota. Thank goodness Ventura doesn’t seem like Stillson in any other ways.)
On Writing was published in 2000 and in the book King says he wrote it in 1997. When I first read it, nothing about this passage stood out. Today, everything about it stands out. I wonder if The Dead Zone has seen a sales bump in the current political climate.