If I were a movie studio, I’d make streaming a priority — based on a recent experience with Assholes Finish First

I recently interviewed professional writer and asshole Tucker Max about his second book, Assholes Finish First. He also wrote I Hope They Serve Beer In Hell, which was made into the eponymous movie. Like any diligent journalist, I wanted to get as much background on his work as I could—including the movie, which I put on my Netflix queue without enough time to get it. My queue looked something like this the day before the interview:

Notice the little buttons that say “Play” (EDIT: Oops: the movies at the top of my queue don’t have that button. Take my word for it: some do, and they play immediately). If I want to watch those movies, they automagically play via Microsoft Silverlight, which is probably just a nefarious and tardy attempt to compete with Flash but which I installed because it was there and easy. Notice that there isn’t a button that says “Play” next to I Hope They Serve Beer in Hell. But I was interviewing Tucker and couldn’t wait.

So I searched for I Hope They Serve Beer in Hell using a BitTorrent search engine that will remain unidentified here but is easily found using conventional search engine tools. Sure enough, it had a copy of I Hope They Serve Beer in Hell. A few clicks later and it began downloading. Two or three hours later and it was done. The quality wasn’t especially high—it was compressed all the way down to 700 MB—and the process wasn’t as smooth as clicking “play” and starting the stream. But it worked reasonably well. If I were the kind of person I was in high school, when I didn’t have a credit card but did have Internet access, I might have done a lot more of this. And if I were a less, uh, scrupulous person, I’d been tempted to just go the BitTorrent route all the time.

Apparently others have noticed this general trend—in “Why Is Netflix Disclosing Less About Its Business?” for The Atlantic, Jonathan Berr writes:

According to Netflix, 66 percent of subscribers instantly watched more than 15 minutes of a movie or a TV episode in the third quarter compared with 31 percent in the year-ago period and 61 percent in the second quarter. This underscores the company’s transition from DVD rentals to streaming video.

If I were a movie studio, I’d be trying to make sure that what happens to me is different from what happened to the music business. I’d be doing everything I can to make sure that my movies were available on Netflix, the iTunes store, Amazon, Barnes and Noble, Bob’s crab shack, whatever. Available and easy. In “The Other Road Ahead,” Paul Graham says, “Near my house there is a car with a bumper sticker that reads “death before inconvenience.’ ” That’s basically how I feel much of the time.

And I’m not the only one (who feels like streaming is handy):

[. . .] Netflix accounts for 20 percent of downstream Internet traffic during peak home Internet usage hours in North America. That’s an amazing share—it beats that of YouTube, iTunes, Hulu, and, perhaps most tellingly, the peer-to-peer file-sharing protocol BitTorrent, which accounts for a mere 8 percent of bandwidth during peak hours. It wasn’t long ago that pundits wondered if the movie industry would be sunk by the same problems that submarined the music industry a decade ago—would we all turn away from legal content in favor of downloading pirated movies and TV shows? Three or four years ago, as BitTorrent traffic surged, that seemed likely. Today, though, Netflix is far bigger than BitTorrent, and it seems sure to keep growing.

If Netflix wants to stay bigger than BitTorrent, however, the movie studios need to climb aboard. If they’re smart, they will. If not, they have predecessors who have been massacred by the Internet, and they no doubt will have successors who are too.

Oh, and the movie? It’s not very good. Skip it and read the book.

The dangers of romanticizing poverty and James Joyce's Ulysses

“Stephen [Dedalus] is entirely without means. He stands in boots and clothes that were given to him by Mulligan. He has a job as a teacher at Mr. Deasy’s school but his salary is barely sufficient for drinks. He owes bits of money all round the town. Let an individualist artist deny religion as vehemently as he will, economics is something he cannot deny. [. . .] Some misguided people have at times affirmed that the stimulus of poverty is useful to the artist and it may be darkly hinted that one day one of these misguided individuals will come to any untimely end. Poverty was never any good to anybody.”

—Frank Budgen, James Joyce and the Making of ‘Ulysses’.

(And, perhaps weirdly, Tucker Max says something very similar of poverty in Assholes Finish First:

When I first moved to Chicago, it was to be a writer, so I refused to use my law degree to get a ‘real’ job. I knew it would pay so much that it’d make me complacent and drain my creative energy. If I was going to become a writer, I was going to do it full-time. Anything else was a distraction from my goal, and a compromise I was unwilling to make.

That’s great in theory, but in practice, not making any money means that at some point you can’t afford to buy food. That’s pretty bad. Then you don’t have enough to buy alcohol. That’s really bad. But when you don’t have enough money to even go to $1 beer night, it’s an emergency.

I think there’s an element of violating a sacred taboo to acknowledge that money and material conditions affect the artist and what the artist can or will do.)

The dangers of romanticizing poverty and James Joyce’s Ulysses

“Stephen [Dedalus] is entirely without means. He stands in boots and clothes that were given to him by Mulligan. He has a job as a teacher at Mr. Deasy’s school but his salary is barely sufficient for drinks. He owes bits of money all round the town. Let an individualist artist deny religion as vehemently as he will, economics is something he cannot deny. [. . .] Some misguided people have at times affirmed that the stimulus of poverty is useful to the artist and it may be darkly hinted that one day one of these misguided individuals will come to any untimely end. Poverty was never any good to anybody.”

—Frank Budgen, James Joyce and the Making of ‘Ulysses’.

(And, perhaps weirdly, Tucker Max says something very similar of poverty in Assholes Finish First:

When I first moved to Chicago, it was to be a writer, so I refused to use my law degree to get a ‘real’ job. I knew it would pay so much that it’d make me complacent and drain my creative energy. If I was going to become a writer, I was going to do it full-time. Anything else was a distraction from my goal, and a compromise I was unwilling to make.

That’s great in theory, but in practice, not making any money means that at some point you can’t afford to buy food. That’s pretty bad. Then you don’t have enough to buy alcohol. That’s really bad. But when you don’t have enough money to even go to $1 beer night, it’s an emergency.

I think there’s an element of violating a sacred taboo to acknowledge that money and material conditions affect the artist and what the artist can or will do.)

The Evolution of Childhood: Relationships, Emotion, Mind — Melvin Konner

I want to write a long post about how impressive and detailed Melvin Konner’s The Evolution of Childhood is, but to do so I would have to read it at least a couple times more and delve deeply into the bibliography. It ranks with The Evolutionary Biology of Human Female Sexuality by Randy Thornhill and Steven Gangestad in terms of its thoroughness and the density of its information. The Evolution of Childhood discusses, among other things:

  • how the environment shapes childhood
  • how group behaviors work
  • how group dynamics work
  • how life in evolutionary times differs from the present
  • problems with the Freudian interpretation of childhood
  • sexual play or expression among children is common (“Contrary to some claims of cultural historians, anthropologists find that liberal premarital sex mores are not new for a large proportion of the cultures of the ethnological record and that liberal sexual mores and even active sexual lives among adolescents do not necessarily produce pregnancies. In fact, a great many cultures permit or at least tolerate sex play in childhood (Frayser 1994)”).
  • why parent-child conflict is effectively inherent in the relationship

I lack the time to discuss what Konner says about each topic; here’s an example of the subtlety of his thinking:

Most explanations of behavior occur at one level only. But as pointed out by Tinbergen (1963), the question ‘Why did the animal do that?’ can be answered at different levels, four of which were immediately identified in his classic paper: phylogenic, ecological, developmental, and eliciting. These can be exemplified by categories of answers to a question about a short flight of a bird—say, a jay rising from a holly bush up to a longleaf pine. It flies because it is a bird; because flight gave it an advantage […] in its environment of evolutionary adaptedness; because its ontogeny gave it light bones, wings, feathers, and a motor neuron circuit oscillator for flight, through a genetically determined maturation pattern shaped by nutrition, exercise, and practice; and because a fox is chasing it.

This goes on to his own development of how the “causation” behind any given behavior might work. Arguments about the root causes of behavior often boil down to people arguing at different levels:

Levels 1 – 3: Remote or Evolutionary Causation

  • 1. Phylogenetic constraints: “Because an organism of a certain broad taxonomic type, it is constrained to some extent in the way it can solve the problems posed by its environment [. . .]”
  • 2. Ecological/demographic causes
  • 3. Genome

Levels 4 – 6: Intermediate or Developmental causation

  • 4. Embryonic/maturation process
  • 5. Formative early-environment effects
  • 6. Ongoing environments: “These are factors such as nutrition, stress, and reinforcement contingencies [. . .]”

Levels 7 – 9

  • 7. Longer-term physiology: “Though mainly hormonal, longer-term physiology also accounts for other metabolic effects [. . .]”
  • 8. Short-term physiology.
  • 9. Elicitors or releasers: “The immediate external causes of behavior, elicitors are the events in the stimulus envelope that precipitate the behavior; ethologists call this the releasing mechanism, and to the learning psychologist it is the conditions or unconditioned stimulus.”

I’d never consciously realized how levels like this work before. And I’d never consciously realized many of the subtle arguments Konner makes. The Evolution of Childhood is almost oppressively thorough; the woman I’m dating mentioned that I complain about books that are long magazine articles or that gloss their topics, and in doing so she implied that I should be thankful for The Evolution of Childhood’s move in the opposite direction. But I also came to the end, with the 100+ pages of citations, and felt that I’d come a long way since I began. Very few books feel like an intellectual journey in the most positive sense of the word. This one does.

How to buy a Mac

Apple updates their computers every nine to fifteen months or so. If you buy at the beginning of the “product cycle,” you usually get really good bang for their buck: fast components for reasonably prices. Toward the end of the product cycle, deals aren’t as good.

People often ask for advice about whether they should buy that MacBook or iMac; this is especially common on the Ars Technica Mac Board, and I’ve realized that there’s a relatively simply algorithm to determine whether you should buy now or wait. One person, “masonk,” made this handy flow chart, which is explained in words below:

The standard advice:

If you don’t have a working, usable computer and need one, buy it.

Check the Mac Rumor’s Buyers Guide. Has the computer been updated within the last six months? If so, buy it: an upgrade in the near future is unlikely.

If not, are we within six weeks of the World Wide Developer Conference, MacWorld (or whatever January event might replace it), or a “special media event?” Can you wait the six weeks—that is, do you have a computer that’s still usable? If so, wait, as there’s a good chance of product updates.

If we’re not within six weeks of a major event, buy it anyway, as you don’t know when an update might appear.

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