Product Review: Unicomp Ultra Classic keyboard, or, the IBM Model M reborn

A rash of e-mails regarding my negative review of the Matias Tactile Pro 2 leads me to write this positive review the Unicomp Ultra Classic, which is a modern version of the Model M that IBM used to produce. Dan’s Data explains why these “buckling spring” keyboards are so nice:

The big deal about these old keyboards is their lovely, positive key-click. When you use a keyboard that doesn’t have a good positive click, it’s hard to tell when you’ve depressed a key properly. You have to watch the screen to make sure you don’t leave letters out, or you have to really hammer the keyboard, which is not good for your hands.

Most of the mid-priced keyboards […] use some variant of the “rubber dome” switch technology, which gives a definite little popping sensation when the dome buckles, but doesn’t necessarily give you an actual letter at the exact same moment, thanks to uncertain contacts. The old buckling spring tech absolutely positively does give you the letter when you feel the click. These keyboards feel very much like an old IBM Selectric typewriter – there are plenty of these ironclad behemoths still in service, and they may herniate anyone that has to move them but they’re darn nice to type on.

Today, buckling spring keyboards are never or almost never shipped with computers. Fortunately, Unicomp has accomplished what Matias couldn’t and produced an excellent keyboard in the Ultra Classic, which is based on the actual IBM Model M design. Keystrokes are crisp and precise. The “shadow key” problem that bedeviled the Tactile Pro is absent, and the Ultra Classic itself is solid, recalling a slab of stone (see the picture below), unlike the fragile, mushy keyboards most PCs ship with. It’s also been durable, and in the months I’ve pounded on it the only problem has been a backspace key that became slightly squeaky. I sent an e-mail to Unicomp and someone called me to recommend that I pop off the offending key with a butter knife to reseat it.

If you know anything about modern tech support, reread that sentence and let the shock set in. An actual phone call? From a guy involved with the actual manufacturing of the product? Indeed, and I’ve now experienced my miracle. The squeak seemed to go away and I’m back to my normal pattern. Furthermore, the company is based in Kentucky and makes the Ultra Classics there.

The main drawback for me is that I use an iMac and the keyboard is set up for Windows (EDIT: This is no longer a problem for anyone who chooses the Mac version, which Unicomp now sells, presumably thanks to people like me asking for it). The ability to change key bindings was important to me, and OS X allows it to be accomplished easily by going to System Preferences -> keyboard and mouse -> keyboard -> modifier keys:

As the screenshot shows, I’ve disabled the caps lock key—which is not specific to this keyboard, but just a preference—and changed the “option” key to command and the command key to option, which aligns the Ultra Classic to any other Mac keyboard. Windows and Linux users will probably want to leave the alt and control keys where they are. The Ultra Classic is thus a viable Mac keyboard, which delights me after the Matias Tactile Pro 2 problems. Although I haven’t conducted any tests to demonstrate whether I actually type faster with the Ultra Classic, I feel like I do, and even if I don’t, I like typing on it far more than I do other keyboards.

The Ultra Classic’s minor downsides are fivefold: 1) as described above, the command, alt, and option physical keys don’t match what the computer will actually do; 2) the keyboard has no built-in USB ports, which is a problem with Macs because even the 24″ iMac comes with only three on the back, which is too few; 3) the price, at $69, is somewhat high, but I think the productivity improvement worth the extra cost, and 4) the Ultra Classic probably can’t be used in a work or living situation in which you have to share space with someone else, as the clacking will anger the other person. That last drawback is to me part of the advantage—I like the clack, and to me the noise is part of its fun. Finally, 5) Unicomp doesn’t make a version without the number pad, which is incredibly annoying. Like most people I don’t use the number pad much or need it. The number pad is just wasted, inconvenient space.

My only wish is that Unicomp would make keys with “command” on them, so Mac users could pop the Windows keys off and replace them with a Mac-centric layout. These are minor issues, and the necessary trade-offs weigh heavily in the Ultra Classic’s favor for those who care about their typing experience. EDIT: Unicomp now makes a SpaceSaver M specifically for Macs. The SpaceSaver is identical to the Ultra Classic, except that it’s slightly smaller. If you’re on OS X, it’s the keyboard you want. As I wrote above, it’s too bad Unicomp doesn’t make a version without the number pad. WASD does, so for most people it’s probably a better option.


EDIT: Clarified relationship of the Ultra Classic to the Model M. In addition, you can see the Ultra Classic in my post about new workspace. This post discusses computers, tools, and meaning.

EDIT 2: I did buy Mac-friendly keycaps from Unicomp and wrote about them in this post, which also has pictures of the new keys.

EDIT 3: I wrote a long post on what I think of the the Kinesis Advantage, Unicomp Space Saver, and Das Keyboard two years later.

Links: Diamonds are too much forever for the diamond industry, Phoebe Waller-Bridge, Ted Gioia conversation, and more

* Conversation with Ted Gioia; I share the Steven Pinker view, however.

* Things about Phoebe Waller-Bridge. There is not too much of the usual PC stuff, though a little bit appears.

* Age of Invention: Rise of the Mathematicians.

* “Here’s the weird thing about a post-Christian Christendom.” That’s WEIRD as in Western, Educated, Industrialized, Rich, and Democratic. We’re quite different than most people have been, ever, and we’re not properly appreciating it, or how differently we’ve been acculturated.

* “How the Insufferably Woke Help Trump: Democrats are insulting and condescending to the swing-state voters they need the most.” More of the obvious, yet here we are.

* Christianity has some aspects that are good that we don’t give it credit for. And, if you take the Christianity out of the American political right, you might be left with something closer to authoritarianism and ethno-nationalism, both of which are much worse than Christianity. By the way, I didn’t see this development coming either, and almost no one did.

* “Martin Scorsese: I Said Marvel Movies Aren’t Cinema. Let Me Explain.” Also seems obvious, though it’s nice to hear a high-status person say it.

* Apple engages in planned obsolescence. Apple also just released a 16″ Macbook Pro, for those of you in the market for such things, and it has a functional keyboard again.

* “Welcome to Culture War 2.0: The Great Realignment.” It’s ill news when too few people are willing to stand up to rationality, free inquiry, and intellectual diversity.

* “Scientists Didn’t Think Climate Change Would Happen So Fast. Now we’re facing consequences once viewed as fringe scenarios.” And the collective response is still to shrug and ignore.

* “Sometimes, Straussians hide truths in plain sight. When they do, they’re concealed in unpopular characters, such as devils, beggars, and buffoons. Pseudonymous Twitter accounts are the new Straussian philosophers, but with one important twist. Instead of sharing their names and hiding the truth, today’s Straussians hide their names, but share the truth.”

* “Government Must Have Reasonable Suspicion of Digital Contraband Before Searching Electronic Devices at the U.S. Border.”

* How California Became America’s Housing Market Nightmare.

* Diamonds keep getting cheaper.

Links: Political dissidents in the news, Lockwood on Updike, boredom and revolution, pricing, and more!

* “He Never Intended To Become A Political Dissident, But Then He Started Beating Up Tai Chi Masters.” On China and many other topics.

* Patricia Lockwood on John Updike, which is much better than I thought it’d be (like Updike she does great sentences), and the title, “Malfunctioning Sex Robot: Updike Redux” is funny too. But there’s still too much air-of-superiority-don’t-we-all-agree-about-everything.

* We’re on the cusp of radical change in agriculture? Maybe.

* Where a lot of PC ideas come from.

* Xu Xiaodong Never Intended To Become A Chinese Political Dissident, But Then He Started Beating Up Tai Chi Masters. Much funnier than you might think. All the Cold War novels of dark repression comedy are becoming or have become relevant again.

* Death By 1,000 Clicks: Where Electronic Health Records Went Wrong. I do a lot of work for Federally Qualified Health Centers (FQHCs) and hang out with a lot of doctors. Just about all doctors and healthcare people hate FQHCs. EHRs also seem to have the same problem as a lot of enterprise and education software: people who choose the software are not primary users of the software and thus judge it differently than primary users.

* How do we move the needle on progress? Many of the themes will be familiar to regular readers.

* The end of sex? Not something commonly seen and also something some of you aren’t going to like.

* The China Cultural Clash. Better than the other pieces on this issue.

* “Sea ‘Boiling’ with Methane Discovered in Siberia.” Expect a lot more of this as global warming accelerates. Also, Fracking boom tied to methane spike in Earth’s atmosphere. We are not working hard enough on nuclear energy.

* How not to be alone.

* Nasa works hard to get probes to land on Mars.

* Pricing niche products: Why sell a mechanical keyboard kit for $1,668?

* “The Deadly Boredom of ‘A Meaningless Life’.”

Links: Yet more on the humanities, what makes an author read, vertical farming, some unusual points, and more!

* “The Humanities as We Know Them Are Doomed. Now What?” I’d add a lot of “purportedly” to this title and article. There is also oddly little discussion of how the humanities have damned themselves, or ourselves, through the pursuit of advocacy and absurdity rather than truth or knowledge. This comic does more to explain the situation than many books.

* “Donald Trump and norms: Resistance needs substance.” Lots of context here, context that is lost in the typical discussion—especially on Twitter.

* “Through the Looking Glass at Concordia University,” which bolsters the first link: “Universities are in a state of crisis, but this crisis did not emerge overnight. It required an hospitable environment to take root. Some journalists and professors have dismissed the phenomenon as a form of moral panic, invented by right-wing provocateurs.”

* “Scholarly publishing is broken. Here’s how to fix it.”

* “Why commuting by public transport makes most people happier,” at least when the subways work.

* “A feminist makes a documentary about Men’s Rights Activists,” not the sort of thing one typically reads.

* He’s One of Brazil’s Greatest Writers. Why Isn’t Machado de Assis More Widely Read?

* “The Tunnel That Could Break New York.” I offer this for its own sake but also because it’s a sign of bad news in civic government; the U.S. better maintenance and more infrastructure, but it simultaneously needs to get costs under control and in line with other developed world countries. If costs are reasonable, voters will get on board. If not, they often won’t. The U.S. may also be suffering from the curse of “good enough.”

* Book culture in New York City.

* “Why capitalism won’t survive without socialism” is a bad title for a good interview with Eric Weinstein; he speaks of institutions with “embedded growth hypotheses” in them, and how those institutions have become dysfunctional over time:

Let’s say, for example, that I have a growing law firm in which there are five associates at any given time supporting every partner, and those associates hope to become partners so that they can hire five associates in turn. That formula of hierarchical labor works well while the law firm is growing, but as soon as the law firm hits steady state, each partner can really only have one associate, who must wait many years before becoming partner for that partner to retire. That economic model doesn’t work, because the long hours and decreased pay that one is willing to accept at an entry-level position is predicated on taking over a higher-lever position in short order. That’s repeated with professors and their graduate students. It’s often repeated in military hierarchies.

Academia suffers similarly.

* “Is Vertical Farming the Future of Your Salad?

* “On Toxic Femininity;” not at all my favorite phrase, but it’s revealing how little one hears it used.

* The Entire History of Steel.

* “Scientists assessed the options for growing nuclear power. They are grim.” Very bad news.

* The very rarely discussed dark side of Airbnb.

* The great Apple keyboard coverup. Good news: the new Apple laptop keyboards are likely resistant to the problems that have plagued models from the last two years. Bad news: models from the last two years are still prone to failure.

* American cities are drowning in car storage.

* “To Recruit Students, Colleges Turn to Corporate-Marketing Playbook.” Profs in humanities departments are probably aghast and impotent.

* Hoity lawyer prefers sexting to lawyering, although that is not the headline; still, I wonder what this tells us about the law and lawyers.

* “How Hospital Administrators Hide the Umbrella.”

* “If you haven’t read @devonzuegel’s post on North American vs Japanese zoning it will help you understand why Tokyo can be dense, highly populated, and cheap, and the US never seems to manage that.”

* How Helsinki Arrived at the Future of Urban Travel First.

Links: MacBook Pro woes, suburbs, the dark net, the puzzle around you, and more!

* “Apple Engineers Its Own Downfall with the Macbook Pro Keyboard.” I had a 12″ Macbook and returned it: the trackpad is absurdly large and, at that time, the keyboard problems were rumored more than proven.

* “Inside a Heist of American Chip Designs, as China Bids for Tech Power.”

* “The myth of revealed preference for suburbs.” Makes sense: if it’s illegal to build the housing people want to live in, they’ll have to live somewhere else.

* “A secret network of women is working outside the law and the medical establishment to provide safe, cheap home abortions.” Probably not that secret if it’s being written about publicly and widely linked online, no?

* “1896: Immigration and The Atlantic;” when it comes to immigration, the dates and specific examples change, but the basic arguments don’t.

* “California Will Be Fourth State to Sue Navient Over Student Loans.” My first impulse is to say, “Good,” but more reflections makes me hesitate; the student loan business exists because of us and fuels the growing costs of college, which in turn fuels the student loan business. We’ve set up this perfidious flywheel and have decided not to dismantle it. Strangely, too, no one or almost no one has tried to set up an academically rigorous, low-cost college. Virtually all colleges except community colleges are following or attempting to follow the Harvard model (tenure, academic “prestige” through “research,” etc.). Maybe it’s time to do something different?

* Andrew Sullivan on why we should say yes to drugs. Not just the usual.

* Grow the puzzle around you, by Jessica Livingston of Founders at Work.

* Review of the Purism 13″ laptop. Given some of Apple’s recent foibles, as noted above, alternatives to the MacBook Pro are important.

* “Can Andy Byford Save the Subways?” Many beautiful details in this story.

Links: Outing club is outing no more, electric buses, housing, and more!

* “Medicare will require hospitals to post prices online.” This is really good and important news.

* “Penn State’s 98-Year-Old Outing Club Is No Longer Allowed to Go Outside,” which is congruent with Jean Twenge’s iGen along with everything you’ve read about absurdity in American colleges. In “What happened to the academic novel?” I posited that academia is now too absurd to be satirized. Johann Hari’s excellent book Lost Connections: Uncovering the Real Causes of Depression – and the Unexpected Solutions has a chapter devoted to how exposure to nature is critical for human well-being—and now Penn State is apparently banning just that (at least in an organized form).

* “Electric Buses Are Hurting the Oil Industry.” It’s always nice to get unalloyed good news.

* “How Much Is a Word Worth? Declining pay for freelance writers hurts more than just the quality of the prose.” Many people have asked why I don’t freelance for magazines or do similar work in narrative nonfiction. This is why.

* “Promiscuous America: Smart, Secular, and Somewhat Less Happy.” But I don’t buy it: this relies on the General Social Survey. I don’t know if it’s conducted via phone or questionnaire response, but we do know that people lie, a lot, about this subject. See for example “Truth and consequences: using the bogus pipeline to examine sex differences in self-reported sexuality,” though there are many other studies in this vein. I’m also not sure what “happy” really means; some argue that it really means being free from anxiety.

* Democrats’ housing problem.

* Why failing to recycle electronics leaves gold mines untapped.

* “The myth of an ending: why even removing Trump from office won’t save American democracy.”

* “Don’t buy the MacBook Pros even on sale, in my opinion.” I returned a 12″ MacBook because of the absurd size of its trackpad. Otherwise a great machine, but maybe I also avoided keyboard issues. It seems to me that 2015-era Macbook Pros are going to become (or have become) golden-era machines.

Links: Russia, nuclear fusion, phage therapy, diamonds, and more!

* “The dying Russians,” from 2014, a tremendously sad piece. Yet it also has important geopolitical implications for the U.S.: Russia is a shrinking country almost entirely dependent on oil. As time goes on, the U.S.’s position gets better and Russia’s gets worse.

* The Input Club: Meet The Guys Looking To Disrupt The Keyboard Industry. See previous keyboard reviews.

the pen is mightier?

* After 60 years, is nuclear fusion finally poised to deliver?

* “Making sense of modern pornography,” from the New Yorker and likely SFW.

* “Will Viruses Save Us From Superbugs? When antibiotics failed a severely ill patient, it was a pond virus that saved him.” Beautiful, inspiring, hopeful.

* “An Unsung Hero of the Nuclear Age: Maj. Harold Hering and the forbidden question that cost him his career.” Brilliant, scary, important, and tied to “Trump fears and the nuclear apocalypse.”

* Lab-Grown Diamonds Come Into Their Own.

* Russia plants porn in dissidents’ computers. I will take this opportunity to recommend Three Felonies A Day (again). Theoretically, if someone—anyone—sends a nude photo of a person under age 18 to your phone, you are guilty of a felony. Something to think about in an age of ever-expanding government and police powers.

* “Eight miles of water: underground with Manhattan’s new aquatic lifeline,” an awesome infrastructure project that ought to get more attention.

Friday links: Encryption apps, publishing, cash money matters, prosecutors and prostitutes, and more

* Wire: A modern, encrypted communication app. It’s alleged not to have Skype’s backdoors.

* The origin of QWERTY keyboards, which are widely misunderstood. I’m still using a Kinesis Advantage.

* “Handful of Biologists Went Rogue and Published Directly to Internet.” This should really not be shocking or newsworthy in 2016. That it is, is shocking and newsworthy.

* “After Cash: All Fun and Games Until Somebody Loses a Bank Account.” The drive towards cashless societies baffles me, since it further concentrates an enormous amount of power in the hands of unaccountable, indifferent, power-mad bureaucrats.

* “United Launch Alliance (ULA) executive admits company cannot compete with SpaceX on launch costs,” an amazing story.

* Tyler Cowen on * The Curious Connection between Violent Extremism and Education. Note that Diego Gambetta, one of the co-authors, also wrote the excellent Codes of the Underworld, discussed by me at the link in 2010.

* “Prosecutor known for fighting prostitution charged with paying for sex hundreds of times;” the phrase “victimless crime” comes to mind.

* Good news (well, the bringing-killers-to-justice part is good, the death part is not): “A toddler got meningitis. His anti-vac parents gave him an herbal remedy. The toddler died. Now his parents are on trial.”

* How Valley of the Dolls went from a reject to a 30-million best-seller.

The Song Machine: Inside the Hit Factory — John Seabrook

You know The Song Machine is going to be good from the fourth page, in this close reading of the song “Right Round:”

The nation was near the bottom of its worst economic collapse since the Great Depression, but you wouldn’t know it from “Right Round.” Like a lot of CHR [Commercial Hit Radio] songs, it takes place in “da club,” where Pitbull oils his way around the floor, calling women “Dahling” and remarking on their shapely behinds. The club is both an earthly paradise where all sensual pleasures and the arena in which achievement is measured: the place where you prove your manhood.

The_Song_MachineThe understatment from the “Social realism” sentence is enough to express skepticism but not so much as to be overbearing. Seabrook is good at, over and over again, hitting the right description and the right tone. He notices much and picks the right things to make readers notice along with him; his restatement of the place of da club makes da club seem ridiculous, but in a way that’s easy to forget in the context of the fantasy of a song. Seabrook pierces that fantasy like a finger through a bubble, yet the image of the club as paradise remains, and it remains enough to enchant millions of people into clubs every weekend. I’m not a routine clubgoer and to my eyes da club seems to not be a place of great happiness to most people, most of the time, unless they’re made artificially happy—as Seabrook says of the songs his son likes, which seems both a short and a long way from the “soulful ballads played by the singer-songwriter” he listened to:

The music reminded me a little of the bubblegum pop of my preteen years, but it was vodka-flavored and laced with MDMA; it doesn’t taste like “Sugar, Sugar.” It is teen pop for adults.

I don’t care much about pop music and yet this book made the subject fascinating. Comparisons between Seabrook and John McPhee, another master of making many topics mesmerizing, are apt. Though I may not care especially about pop, I hear it and sometimes like it and know how universal it is. A few times in discussions with students, alcohol’s effects on characters in novels and stories have arisen, and I sometimes write on the board, “Blame it on the a- a- a- a- alcohol:” Most students know, immediately, the reference, and laugh.

Seabrook is also aware that hit makers exist yet mostly aren’t known:

Who are the hit makers? They are enormously influential culture shapers—the Spielbergs and Lucases of our national headphones—and yet they are mostly anonymous. Directors of films are public figures, but the people behind pop songs remain in the shadows, taking aliases, by necessity if not choice, in order to preserve the illusion that the singer is the author of the song.

The Song Machine seeks to change that, but Seabrook also fingers an important reason why hitmakers stay away: the “illusion” that must be preserved, insofar as possible, or at least not have attention drawn to it. We seem to want the illusion, or, more likely to not care how the song is made: only that the sound is good, regardless of whose hands and ears it passes through before it gets to us.

I’m probably just too old to be the target audience for most pop music, and even when I was in pop’s demographic sweet spot I found much of it annoying—not out of allegiance to weirder and more interesting music, but because I’m not that musically driven a person. To me, most music boils down to, “I’m romantically desirable” or “You done me wrong” or “I’m better than my romantic rival,” or some combination thereof. They’re sentiments I of course agree with—we all do, which is why it’s pop—but at some point I’d prefer a wider array of ideas, sentiments, or emotions. Yet that wider array isn’t easily expressed in three-minute intervals. These views are pretty weakly held, but they are mine, for now at least, and apparently almost no one listens to the lyrics and wonders what they might mean. The market for people who want lyrics that might make sense is small, though maybe larger than the market for contemporary poetry.

There are many fascinating details in The Song Machine. The three-woman group TLC rejected the famous Britney Spears song “Hit Me Baby (. . . One More Time).” Oops. Spears captured the zeitgeist for years and in some ways still has it. Her image was in many ways a lie but in a few ways real: she knew that a video that portrays her as a sexy schoolgirl checking out “hot guys” was wiser than what an industry veteran proposed. Still, that’s a rare example of the amateurs winning over the professionals; one subtext of the book is that, most of the time, professionals win: that’s why they’re pros.

Spears, by the way, later rejected the song “Umbrella,” which launched Rihanna’s career. Why? “In trying to fathom how Britney could have rejected ‘Umbrella,’ Tricky notes drily that ‘her personal life was . . . a little out of control’ at the time.” She may never have heard the song.

Another detail, this time about Asia, from the chapter on K-pop:

In a classic example of ‘soft power,’ Korean cultural exports erased South Korea’s regional reputation as an unsophisticated emerging industrial nation and replaced it with images of prosperous, cosmopolitan life. Thanks to Winter Sonata middle-aged Japanese women now swoon over Korean men, while complaining about the ‘grass-eating—that is, lacking in virility—males of Japan. Korean ancestry used to be a stigma in Japan; now it’s trendy.

I’ll leave this without comment, beyond this post.

Many, many parts of The Song Machine reminded me of Tyler Cowen’s Average is Over; the latter book is about topics far removed from pop music, but in many respects The Song Machine can be seen as a specific application of the general principles Cowen describes. For example, Seabrook writes, “Whole subcultures of musical professionals—engineers, arrangers, session musicians—are disappearing, unable to compete with the software that automates their work.” Yet those who can work effectively with software, like Denniz PoP, Max Martin, and Dr. Luke, can still make enormous amounts of money and have influence that is in some ways vaster and longer term than virtually any musician who came before them. At the same time, though, it is hard to say what many modern artists stand for, apart from the party:

On sheer vocal ability, the new artists fell short of the pop divas of the early ’90s—Whitney, Mariah, Celine. And who are these artists? Britney? Kelly? Rihanna? Katy? Kesha? What do they stand for as artists? Their insights into the human condition extend no further than the walls of the vocal booth. And who really writes their songs?

The Song Machine answers that last question. As for “sheer vocal ability,” that doesn’t matter as much in a Pro Tools and social media age (though it still matters somewhat: Rihanna is initially feared to be too “pitchy” to make it as a singer). The social media age may not seem to affect the need to have a great voice, but social media means that lifestyles, persona, and image are relatively more important than they once were and, in many respects, harder to control. Being “harder to control” and of great importance means that stardom selects for the ability to control persona and image. The selection filters change.

Consider, for example, Rihanna being beaten by her ex-boyfriend is in The Pop Machine a crisis of investment: Rihanna had already had millions of dollars and much valuable, irreplaceable time and attention put into her. Being hit by her boyfriend threatened to undo that (the reaction of her fans may also say something important about the influence of contemporary “feminism,” although what that may be I’ll leave to the reader).

But back to Average is Over: Seabrook recounts briefly how much technology influences the music industry when he writes that in the 80s and 90s “Other song-making machines arrived—Roland and Prophet polyphonic synths, the Linn drum machine, Fairlight and Synclavier samplers. The ‘MIDI’ interface between a keyboard and the computer . . .” We are our technologies, in all domains, even music, fantasies of purity and authenticity aside. And while we have the technologies they are not easy to use:

In 1997, Denniz [PoP] told a reporter, “It’s easy to say producing this music is equal to pushing a button in the studio. But that’s like saying writing a novel is a simple push of a button on your typewriter.” Denniz liked to say that no matter how technically adept you were at programming, sometimes you just had to “let art win.”

Letting art win is hard and sometimes unknowable. Much later in the book, Seabrook hears an early cut of a song and thinks it garbage, though he is too polite to say. It turns out to be Katy Perry’s song “Roar,” which goes on to be a number one. I’m oddly glad Seabrook doesn’t like it—I’ve heard it too many times and still find it insanely annoying—but its sheer popularity remains.

The Song Machine is best read with Spotify open.

I finished it, turned it around, and re-read it.

Links: Child support and debtors’ prison, broken colleges, the meaning of life, and more

* “Skip Child Support. Go to Jail. Lose Job. Repeat.” To call this system “insane” is an understatement. Even calling it a “system” might be overly kind.

* “Thinking too highly of higher ed;” if you read nothing else this month read this.

* Jeff offers perspective on the mattress industry and writers more generally.

* “Thinking too highly of higher ed,” by Peter Thiel, who also wrote Zero to One (which you, like everyone, should read).

* “The global secular savings stagnation glut,” the sort of link I rarely post here and yet:

What this discussion should make clear is that secular stagnation isn’t much of a puzzle. Rather, it is a dilemma. The ageing societies of the rich world want rapid income growth and low inflation and a decent return on safe investments and limited redistribution and low levels of immigration. Well you can’t have all of that. And what they have decided is that what they’re prepared to sacrifice is the rapid income growth. In aggregate that decision looks somewhat reasonable if not entirely right. But it is a choice with pretty significant distributional consequences. And the second era of secular stagnation will come to an end when political and demographic shifts allow the losers from this arrangement to say: enough.

* “If We Dig Out All Our Fossil Fuels, Here’s How Hot We Can Expect It to Get.”

* “Walter Scott, child support defendant murdered by cop, earned about $800/month.”

* “Nutritional Science Isn’t Very Scientific: The research behind dietary recommendations is a lot less certain than you think.” Just about the only obvious thing is “Don’t eat refined carbohydrates,” like sugar and white rice, and eat vegetables and nuts.

* “What If We Admitted to Children That Sex Is Primarily About Pleasure?

* The Steady Rise of Bike Ridership in New York

* “Is Capitalism Making Us Stupid?“, a brilliant article with a stupid title.

%d bloggers like this: